Archive for the 'Finds' Category

Real Weddings :: Eunice & Daniel: One Lucky Wedding

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Welcome to Eunice & Daniel’s wedding!  Eunice and her sister Sabrina own Hello!Lucky, while Daniel designs video games at Three Rings, and frankly, I can’t think of a craftier, more inventive—or more exuberant!—crew to plan a wedding.  Eunice designed pretty much everything and she and her friends, led by sister and maid-of-honor, Sabrina, worked tirelessly to make sure those designs became a reality. Much of the inspiration for the wedding’s design is from Tim Walker’s photographs.  Walker’s work has always fascinated me, as it demonstrates, in intricate detail, how Britain was, is, and always will be a magical place, if improbably so.  See his work, if you aren’t already familiar with it.  You’ll know what I mean.  The little stage Eunice and Daniel were married on and the whimsical parade to the ceremony site, led by Daniel with his white unicorn, are lifted straight from Walker’s (or … Eunice-and-Daniel’s) imagination.

{click any image to enlarge the gallery}

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Below: a few images from the ceremony. I love the flower girls dumping the confetti on each other!!  The stage was lovingly made by the crew at Because We Can and painted by Eunice and friends.  (The stage now has a home behind Eunice & Daniel’s bed, which is the perfect sort of re-purposing of wedding decor, I think).  Eunice designed her dress and her friend and colleague, Hello!Lucky’s London office head, Iain Harris Bartlett, sewed it for her.

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The day passed by at lightning speed, as it really always does at weddings.  I was so happy to have a few moments with Eunice and Daniel along the winding dirt road and in the wide, grassy fields at {Wilbur Hot Springs}.

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The details of this wedding were myriad, intricate, and marvelous.  Nearly everything was made by hand, and much of it by Eunice, Daniel, and their friends. There was so much to look at (and photograph and share!) that I needed a dedicated post to do those details any sort of justice at all.  Here are just a few, though.  Sharla Flock designed the florals, which were rich and varied and added so much color and texture to the wedding.  The cake topper is hilariously cute (worth clicking to enlarge!).

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The guests were dressed to match the wedding perfectly, even the littlest ones.  It gave me the feeling that we were all in a movie we couldn’t see being filmed.

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As night fell, the party began in earnest.  There was square-dancing and Eunice’s sister, Sabrina, sang a song.  Their father accompanied the band on his mandolin for another song.  And, yes, Eunice and Daniel really did cut the cake with a cleaver.  I think Daniel might have a collection …

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For fewer, larger photographs, please see {this gallery} on my main site.  And satisfy your floral-detail-loving-cravings {here}.  Hello!Lucky posted a great feature on their, site, too, complete with a gallery and diy wedding project instructionals, and it’s {here}.

photographs by Gia Canali; wedding design, Hello!Lucky; paper goods, Hello!Lucky and Joel Dewberry; wedding planning, Lisa Feldman Designs; Daniel’s dapper suit, Al’s Attire; bridesmaid’s dresses, Al’s Attire and Jessica Bobillot; Eunice’s fascinator, Jennifer Behr; cake topper, Publique Living;  stage, wooden table “numbers,” and parade props, Because We Can and Hello!Lucky; lighting design, Jimmy Duhig, Creative Lighting Design; Eunice designed her dress and it was handsewn by her friend Iain Harris Bartlett. Go handmade!!

Things I Really Like: Encaustic Paint + Wedding Photographs

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Some of you might wonder where I’ve been, and the answer—at least in part—is that I’ve been locked up in my studio cooking up new things. (I’ve also been fixing my computer, hence the blog-neglect, but that is another story altogether).  Anyway,  I have been drunkenly in love with encaustic painting (and the idea of encaustic painting over photographs) since I first heard the word “encaustic” two years ago in an oil painting class, and even more so since I’ve seen them in real life.  Then I saw some pieces by the ever-innovative Starn twins, I knew I had to figure out how to incorporate encaustic into my commissioned work. Over the summer I finally got a chance to take a workshop in encaustic painting and planned to get working on a series of encaustic photographs right away.  But summer and wedding season are what they are, so refining the process and presentation has taken longer than I’d hoped.  Encaustic paint is made from beeswax and resin, and because it can be both clear and cloudy in places, it’s very dreamy.  I am not the only wedding photographer experimenting in this medium; both Elizabeth Messina and One Love Photo are also working in wax.  I think these luminous little paintings are going to be one of the next big trends in handmade photographic prints.  The tactile quality of the prints shows best in person, but I couldn’t resist sharing a few images anyway.  And I promise to share more soon, as I complete new pieces.

{click any image to enlarge}

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photographs by Gia Canali

Winter White Wedding Inspiration :: The Table In The Window at LaTavola Linens

This tablescape by Michael Mantalos of {Louloudi Design} makes me hope somebody hires me to photograph a sparkling winter white wedding … and soon!  The sequined linen from {LaTavola Linen} is just right with the glimmering decor.

{Click any image to take a closer look!}
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photos: Gia Canali

Dress Shop Visit: Atelier Des Modistes

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Yesterday, I visited Atelier Des Modistes in San Francisco.   I wanted to meet Suzanne Hanley, the designer behind two of my favorite brides’s dresses and to see the beautiful shop where she and her crew design and make the gowns.  We had fun talking shop and while I sat there, chatting, I wondered yet again why, even though I had my dress made for me, I never went dress shopping when I was engaged.  Sigh.  Anyway.  Suzanne’s shop is certainly the best of both worlds (lots to try on and lots to dream up out of your own imagination).  I dearly hope there’s a big return to handmade in 2010.  What better than a one-of-a-kind dress designed and sewn just for you?

A girl can’t carry all her gear all the time, so I’m sharing photos from my iPhone.*  Below: store front sign, capelet (yes, please!), cards, behind the scenes with the best inspiration wall ever, super sewing machine, lace and ruffles galore, wedding gowns and polaroids (two of my favorite things, you know), and more images of the lovely dress-in-the-window (may some lucky bride swoon over it!).

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photos: Gia Canali, via her iPhone.

*Yes, indeed, we photographers have just as much fun as everybody else with our cell phone cameras.

Tiny Pine Press Announces a New Line of Invites

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We ♥ Tiny Pine Press ever so much.  So we are thrilled that Tiny Pine just launched a new line of wedding invitations, Variations.  The full collection is available directly through Tiny Pine or at Urbanic Paper in Venice.  If you live in LA, it’s definitely worth a stop in at Urbanic, to see the collection for yourself.  Urbanic is a papery treasure trove in and of itself and they carry tons of stuff from some of my favorite etsy sellers, too!  Anyway, I digress.  The Variations invites are printed on recycled or tree-free papers and are offered with digital (flat) printing, but letterpress is also available—of course!  This collection is perfect for brides everywhere, or brides elsewhere, I should say, who can’t meet with Jennifer to design custom stationery.  To celebrate, there was a sweet party at Urbanic, complete with arts ‘n crafts, a dj, festive treats, and Jennifer herself.  I forgot my camera (go figure!), so you’ll have to bear with my phone photos.  There are lovely photographs of the whole collection on Jennifer’s blog.

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Rosalinda & Aris’s Los Angeles Wedding

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Rosalinda and Aris did a wonderful job conceiving their wedding. It involved lots of peculiarly-LA logistical challenges—a ceremony at the church the groom’s family attends in Downey, a reception on a chilly early-spring evening at a private home in Agoura Hills, getting guests to drive the hour-and-ten-minutes between locations—to name a few. But it came together beautifully under the direction of Heidi Mayne from Red25 (whose new site will launch very soon, so be sure to check back).

This wedding initiated me to {Krislyn} whose delicious designs have me swooning … Krislyn made Rosalinda’s balsa wood and Swarovski bouquet (below and previously featured), the wishing tree, and the A + R vase (also below) that sat beside the tree at the reception. Lucky for me, Krislyn did florals at another wedding I photographed recently so I get to indulge (and share!) my newfound obsession.

{as always, click any image to enlarge}

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I have to confess, though, my aesthetic obsessions at Rosalinda and Aris’s wedding were varied. Many are indicative of current and coming trends:

  1. Krislyn (cannot be overemphasized). The design is extraordinary. And I am pro-keepsake. Aren’t we all? It’s not only “green” to double duty pieces from your wedding as home decor, it’s wonderful to have more to hang onto.
  2. The groom’s modern slim fit three piece suit from YSL. May all my grooms be so well-dressed. I love that a vest gives the groom not only a perfectly tailored look, but an “alternate” look. He won’t wear the jacket all night anyway.
  3. The bride’s all-over lace gown by Elizabeth Fillmore. It perfectly accented Rosalinda’s lovely figure. The asymmetrical train was pretty fabulous, too.
  4. Bare wooden dining tables, dressed with manzanita or beechwood branches and orchids.
  5. Greek revival fashion, e.g., the bridesmaid dress.
  6. How the bridesmaid’s bouquet accented the color of her dress. This rarely happens so nicely, and was, apparently, an accident. Katie’s Flowers in Downey had set out to make a “neutral” bouquet because they didn’t know what color the bridesmaid would be wearing.
  7. All the nooks and crannies—and the Moroccan flavor—of their friend’s house, where the reception was held. I am always happy for architectural/environmental portrait opportunities. This house offered myriad.
  8. Little wooden wedding sign.
  9. Stone seating “cards” and table numbers.

A sweet little ceremony getaway in the groom’s brother-in-law’s Rolls Royce.

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Some of the sweet reception details … I loved the variety (as I always love variety) in the centerpieces.  Manzanita or beechwood branches strewn with orchids, or wooden boxes full of them decorated each table.  Presenting old family photographs as they did, in a frame, with strings and clothespins, was quite charming.

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The light changed quickly as day turned to night, so we snuck portraits here and there, as we could, amongst dancing and toasting.

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A little nighttime love … As I mentioned earlier, Rosalinda & Aris spent most of the night close together. If you want wonderful photographs of you and your beloved late into the night, do this!

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Rosalinda & Aris did an amazing job of designing a gorgeous wedding without it feeling like they were over-producing it. (I think that’s a weird diagnosis of some weddings, but probably true, now that I think about it.) They prioritized having a great party … and it paid off. They danced with each other and their guests into the wee hours of the night. For my own part, I was very happy that they made time, even as the sun set, for me to get out the clunky old 4×5 camera (see top image). I’m looking forward to seeing how these images become themselves, later on …

photo credit: Gia Canali floral centerpieces: Malibu Market & Design lighting: Images By Lighting

Some Lovely Finds From Etsy

I spend untold hours scouring the internet for things I can ♥.  I say ♥ because I like to like them, even when I don’t need them myself.  Here are some delicious vintage items from 13 Bees’ shop via etsy.

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Well … I might need that black dress … In any case, there are zillions more finds on etsy, and lots more on 13 Bees.  Happy shopping …

photos via: 13bees

On Being Photographed & What To Do If You Are Camera Shy

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I can’t tell you how often I hear couples say to me before their weddings—or even at their weddings—that they are uncomfortable in front of the camera, or even that they are (supposedly) un-photogenic.   It’s difficult for me (as the photographer) because I have mixed feelings on this topic.  I simultaneously understand completely, as I generally do not welcome being photographed myself,¹ but also feel that the portrait process is collaborative one, and therefore not only the responsibility of the subject.   It’s important to note that I felt differently about being photographed at my wedding, though—I wanted great photographs of myself and my husband, and I was willing to stomach being in front of the camera in order to get them.

Fortunately, there are several really doable strategies for improving your wedding-day camera presence:

I.  The best place to start is with a good mindset. 

You already want amazing photographs of yourself at your wedding. (Or perhaps your spouse wants them, but you are at least willing to go along.  A groom once told me he thought getting photographed was a lot like going to the dentist, and was only doing it to please his bride).  Wedding photographs become family heirlooms.  And for most people, portraits are particularly important—those are the images that must be worked for.  Richard Avedon said, “A photographic portrait is a picture of someone who knows he’s being photographed, and what he does with that knowledge is as much a part of the photograph as what he’s wearing or how he looks. He’s implicated in what’s happening, and he has a certain real power over the result.” And your photographer is there to collaborate with you, to coach you through the process.  Sometimes, I think it’s a bit strange how we photographers are there coaxing out of people convincing performances of their own real lives.  But that’s the job.  Or the art of it.  My point is that you have a lot of power over how you present yourself … and that you don’t have to go it alone.  Hire a photographer you trust.  And then trust her.  Work with her.

“A portrait must get beyond the almost universal self-consciousness that people have before the camera. If some moment of reality in the personality of the sitter did not happen, you had to provoke it in order to produce a portrait that had an identity with the person. The essential thing was to awaken a genius response.”      Edward Steichen, A Life In Photography

II. Relieve stress—relax.

This cannot be overstated.  People who are dwelling happily in the moment photograph marvelously.  If you are stressed about the wedding or the wedding photographs, it will quite likely show on camera.  Many of my clients have a glass of wine or champagne before we start.  I swear by herbal therapies, including Rescue Remedy, which I think is probably something most soon-to-be-wed couples could benefit from, whether or not they are shy in front of the camera.  Other folks do yoga, or get acupuncture, or go on a long walk the morning of the wedding.  Figure out something that works for you, and actively pursue relaxation.

III.  Be distracted.

God help me, if I could have an invisibility cloak and a pair of wings when I photograph weddings, all my photographs would be blissfully unaware.  But that’s really just not how it works.  If you don’t naturally ignore the camera, do so on purpose.²  Most of the time on your wedding day, there will be so much happening you’d be hard-pressed to pay too much attention to your photographer.  Really, you just need to focus on ignoring your photographer during portraits.  One easy way to do that is to look at your beloved—laugh, nuzzle, dance, gaze into each other’s eyes, go for a walk—and don’t look into the lens unless your photographer asks you to do so.

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¹ Translation: If I can’t do a thumbs-up sign in the photo, I think the photo will probably be terrible.

² I think I just told you that “what you do with that knowledge” of being photographed is an essential part of the photograph.  Now, I am indeed telling you to ignore the camera.