Archive for the 'Inspiration' Category

Brandon & Serra’s One-of-a-Kind Los Angeles Wedding with Pretty Vintage Touches

giacanali-108

I love the sweetness of Brandon & Serra’s wedding.  Everything, everything was fashioned to be personal, to be romantic, to be sweet and meaningful.  And the results were just about perfect.  Plus, this was one of the thriftiest and most resourceful wedding planning crews I’ve encountered.  Brandon and his twin brother, Brian, are the photographers behind Twin Lens Life.  And Serra is a maven of vintage fashion, and all-things-vintage, come to think of it.  Everything from fashion to decor was handmade or scored from vintage stores and thrift shops around Los Angeles.

Below: a few photographs of Serra & Brandon getting ready. I took just a moment right before the ceremony to get a couple photographs on my 4×5 camera.

{click any image for a closer look}

giacanali-065

giacanali-001 giacanali-079 giacanali-071

giacanali-069 giacanali-063

giacanali-073 giacanali-070

giacanali-067

giacanali-080

giacanali-081c

Below: some of the ceremony details. Click any image to enlarge. Brandon & Brian made the wooden signs (that fancy W and the plumage!).  I love the lace draped tree. And the just-gathered feelings of the bouquets and arrangements.   Florals by Amanda Claverie, Rosebud Floral Design.

giacanali-010 giacanali-011 giacanali-019 giacanali-007 giacanali-009 giacanali-008 giacanali-084

giacanali-006

giacanali-045

Above: one of the zillion polaroids from Brandon & Serra’s wedding. Below: This ceremony was just about perfect (and complete with a rooster strolling through, if you look closely!).

giacanali-085 giacanali-086

giacanali-087

giacanali-088 giacanali-091

giacanali-089 giacanali-090

giacanali-092

giacanali-005

After the ceremony, while we took group photos and photos of Brandon & Serra, the guests entertained themselves with games and tea. This is handy tip to steal: have something fun for your guests to do while you do your formal photographs.  This is especially important if you plan not to see each other (and therefore not do any of the group photos before your ceremony).

It was hard to get Brandon’s twin brother, Brian, to hold still for a photo during cocktail hour. Since the boys are also wedding photographers, Brian made the rounds during cocktail hour getting a Polaroid—er, Fuji instant print—of each and every guest for the escort cards / guest book. They blogged {here} and {here} over on their blog, Twin Lens Life, about this project, which I think would be fantastic at any small wedding. Not exactly diy if you’re not a pro, but definitely handmade and one of a kind.  I’m looking forward to seeing—and doing!—more of these unique one of a kind projects at weddings, which seem to be gaining in popularity.

giacanali-054 giacanali-097 giacanali-106

giacanali-098 giacanali-099 giacanali-102 giacanali-101c

giacanali-103

Everything about this wedding was so romantically-styled, down to the tiniest detail. There were piles of old books, and gatherings of baby’s breath, an old typewriter, candles, vases of a few blooms, tiny ceramic birds. The table was like a tableau. But my favorite little details, besides the “tree” with the Polaroids that Serra and Brandon had taken together over the course of their relationship (pictured below), were their love birds, Frankie and Allie.

giacanali-023

giacanali-018 giacanali-015

giacanali-024 giacanali-030 giacanali-031 giacanali-016 giacanali-026 giacanali-028 giacanali-034 giacanali-035 giacanali-037

giacanali-014

giacanali-033 giacanali-044

giacanali-040 giacanali-043

giacanali-021

A few more quiet moments before the end of the day:

giacanali-048 giacanali-055
giacanali-047
giacanali-050 giacanali-051
giacanali-041 giacanali-052

giacanali-056

giacanali-057

giacanali-059 giacanali-060

giacanali-118

giacanali-061

We had so much fun rotating through our (and Brandon & Brian’s!) collection of vintage film cameras, toy cameras, instant film cameras, et cetera.  I loved getting to share in the absolute joy of shooting along side other lovers-of-photography (their crafty guests were snapping as many photos as I was, it seemed!).  Congratulations, Brandon & Serra! Thanks for sharing! May your years ahead be happy and filled with lots of Polaroids! This wedding is also being featured {here} over on Snippet & Ink today!

the end!

photographs: Gia Canali, venue: Heritage Square Museum, LA; florals: Amanda Claverie, Rosebud Floral Design; super 8mm wedding film: Tim Neilsen, Flicker Films, shown {here}; hair, Louis Santelices; pretty much everything else: handmade, thrift store or vintage shop finds.

Notes Toward Slow (Wedding) Photography

This year, perhaps even more than in years past, and despite practically daily notices of film-discontinuations, I am being commissioned to do my slowest work: photo sessions driven largely or entirely by my dear and clunky 4×5 cameras.  Behind the scenes, I am working on printing techniques that make the platinum printing I do feel like instant gratification.  And I have been thinking: the slower the wedding, the slower the photography I am able to do.  Slow photography requires breathing, reloading, time to think behind the lens, time to tinker, and, usually, a mess of polaroids—in other words, the freedom to be deliberate.  (I also love that first reaction to a moment, and also seek that out in my work, just as anxiously, but I am getting at something different here).

I was rummaging through photo books this morning (my second favorite method of procrastination*), and pulled out a copy of Paul Outerbridge’s Command Performance.  The prints reproduced in this book are platinum prints and carbro prints. Carbro prints, if you are unfamiliar, are made by a painstaking, triple-glass-negative technique.  Printing is ridiculously labor intensive and unequivocally rewarding.  Dazzling.  Unfortunately these prints are a see-it-to-believe-it kind of experience.

But I’ve seen them, and the book was a gift to my husband after we went to the exhibition.  The inscription I wrote, in part, says, “Cheers to doing things the hard way when it’s also the best way, an innovative or extraordinary way, and especially if it’s (at all) exquisite.”  This apparently has been on my mind for quite awhile and I’d like to extend the toast to all of us photographers and commissioners-of-photography.  So: as we all, myself included, race forward into photography’s future, clicking away at all manner of cameras, high-fi and low-tech, antique and newly-minted, let us not forget to breathe between shots.  Let us hold dearly as a value thinking behind the lens.  I think, my friends, that we are.  But let’s make a point of it.

photo: Gia Canali

*my first favorite method of procrastination, at the moment, is browsing etsy.

Negar & Peter’s Elegant Downtown Los Angeles Wedding

giacanali-051

giacanali-001

Negar and Peter’s wedding was fantastically formal, glamorous, and richly textured in a way that very few weddings here in California ever are.  If I could think of one phrase to describe this wedding, it would definitely be, dressed to the nines.  Of course, that phrase makes a lot of sense when a fashion stylist weds a writer.

{click any image to enlarge}

giacanali-061 giacanali-006 badgley mischka dress giacanali-003 giacanali-004 giacanali-064 giacanali-063

giacanali-007

giacanali-008

giacanali-010

giacanali-049 giacanali-050

Above: Tiny Pine Press designed and handmade these formal letterpress wedding invitations for Negar & Peter.  I love how they look like they might have come out of grandma’s wedding album … or an F Scott Fitzgerald novel.  They make me hope for a return to classical wedding design.

Negar & Peter had a traditional Persian ceremony, fireside, with a beautifully decorated sofreh. In Persian ceremonies, I love when all the girls (sisters, friends, mothers, aunts, etc.) get up and sprinkle the couple with sugar flakes.  What wedding couldn’t use a little sweetness like that?

giacanali-014

giacanali-021 giacanali-015 090giacanali giacanali-023 giacanali-024 giacanali-022 giacanali-026 giacanali-056 giacanali-027

Negar called on her gifted pals, Joseph Free and David Rogers, who are usually busy designing events for Vogue and fashion designers, to design the florals and decor for her wedding. Inspired by their handiwork, and not surprisingly, this is the wedding that made me rethink baby’s breath.  Heaps of lacy-soft baby’s breath and the warm glow of candlelight, it turns out, are pure magic. Here are a few of the intricate and particularly stellar details:

giacanali-5

giacanali-2 giacanali-3 giacanali-7 giacanali-1 giacanali-19 giacanali-4 giacanali-41 giacanali-035 gia146

giacanali-029giacanali-046 giacanali-047

Even the wedding’s tiniest guests were dressed up and ready to party:

giacanali-038 giacanali-037

giacanali-041 giacanali-042 giacanali-045 giacanali-043

giacanali-048

We were honored to have this wedding featured in C Magazine’s C Weddings this April and are doubly thrilled that it’s being shown off on Style Me Pretty {here} today as well.

photographs: Gia Canali; venue, The California Club; invitations: Jennifer Parsons, Tiny Pine Press; floral design: Joseph Free; event decor: David Rogers; gown: Monique Lhuillier; bride’s jewels, vintage Neil Lane; shoes, Valentino

Things I Like: Peonies

coral peonies

I am ready for summer. I am.  But I do not think I am not ready for peony season to be over just quite yet.

photo: Gia Canali; bouquet: GD Designers

Jillian & Dax’s Romantic Handmade Everything California Mountain Elopement

giacanali-20

Seeing two of your beloved friends marry is its own particular joy, and although I might be (therefore) biased in saying so, Jillian & Dax’s super-secret informal mountain wedding celebration was just about perfect: romantic, personal, and really laid-back.  Everything was handmade. Everything. And everyone who came pitched in to make the wedding happen.  One friend made the cake, another painted the wooden cake-toppers.  One friend did Jillian’s makeup (actually, the same friend who painted the cake toppers); another did Jillian’s hair.  Of course, I took the photographs.  My husband Matt was making fruit salad until just before he started taking pictures himself. Their friend, Kelly, who married them also barbequed the meat for dinner.  Lots of folks pitched in to make dinner … and the tissue paper pom poms you can just barely see in the few reception photos.  I was “off-duty” at the reception; we just set up a photo booth and let people snap pictures of themselves which are too, too hilarious to share on this blog.

giacanali-01 giacanali-22 giacanali-60 giacanali-24 giacanali-35

Jillian made her own wedding gown, including the pattern for it.  She deconstructed a vintage dress to make the pattern for the bodice, sewed it, and then began to work on the doilies.  It took three weeks and over two miles of crochet yarn to complete the effect.  I am still marveling at all the detail.  Nobody I know can envision a wildly ambitious project and then pull it off like Jillian can.

giacanali-29 giacanali-05 giacanali-16 giacanali-03 giacanali-23

giacanali-15

giacanali-02

giacanali-14 giacanali-17 giacanali-32 giacanali-12 giacanali-27 giacanali-25 giacanali-13

If you look closely at those little cake-toppers, you’ll see that they’re “dressed” just as Jillian, Dax, and their daughter Phi were, right down to the tiniest details (even Dax’s ascot—Jillian made the real life version from the lining of her dress!).  After the cake-cutting, Jillian changed into a custom-made safari suit to match Dax’s. How cute is that?

giacanali-08 giacanali-11 giacanali-07 giacanali-30 giacanali-18 giacanali-19

photographs: Gia Canali; hair, Angelina Yuge, 562.686.6200 (she is actually a makeup artist!); makeup, Nicole Burg, 818.970.9582; cake topper forms, Goose Grease Undone (she also makes custom-painted ones, here); Dax and Jillian’s custom safari suits, safarisuits.biz; flowers, LA Flower Mart, arranged by the bride.  We’re thrilled and honored that Jillian & Dax’s wedding is being featured over on {100 Layer Cake} today!

Jillian & Dax’s DIY Secret Wedding Invitations

Wedding invitations always serve as a memento, but that is even more obvious with handmade wedding invitations to a secret wedding/elopement that all the (very few) guests already know about.  With most of the invite’s practical purpose stripped away, getting this invite in the mail seemed somehow so extravagant!  Jillian made these by hand with her cricut machine.

{click any image to enlarge}

giacanali-46

giacanali-40 giacanali-41

giacanali-44 giacanali-47

photos: Gia Canali

What Wedding Photography Has In Common With Taking Photographs on Your Cell Phone

iphone-heart1 iphone-heart2

What I have come to love most* about taking photographs on my various cell phones is its (my) almost unconscious reaction to a moment or a scene. Point and shoot (nearly without thinking)! These are not relatively technologically advanced—or even competent—camera-machines. Serendipity prevails. Instinct prevails. My ability to make great photographs on my phone is proportionate to my ability to make great photographs period. And so, come to think of it, is yours. (These levelings-of-the-playing-field are good for the art; only when anyone can do it—not just those of us who can afford cameras—will photography become about those who can see … and about how they see the world).

One’s readiness to take a photo (on a cell phone or at a wedding) is essential. And like the world at large, a wedding is a now-you-see-it-now-you-don’t kind of place. Wedding photographers are hired for their readiness, an eagerness to see the picture and take it before the moment has flown away.  Cell phones make recording that everyday magic accessible to all of us. Obviously we choose to use sophisticated cameras—for the most part anyway**—to record people’s officially magical moments. But that instinctive reaction to life, to the world—just as in taking photographs on your cell phone—is what sets a good photographer apart, whether or not the person is a “pro,” and whether or not they photograph weddings from time to time.

The other thing I love about taking photos on the phone is that they are inherently and undeniably personal. ***Look at your phone—look at mine—it is filled with the daily joys: my doggy, my husband, my garden, the nieces and nephews, and the lovely bits of the world I take in as I go about my life and work.  Sometimes, however, I get the impression from folks  that wedding photos are supposed to be somehow not-personal (like: not as though they could be from my cell phone). But how is that even possible, much less desirable?

Of course the wedding photos I take are particular and personal to me, almost like they came straight from my phone, if decidedly a little fancier. It is my perfectly subjective point of view, my various passions and excitements that are represented in the photographs I take wherever I take them, on the job or in my back yard.  And that’s what you want!  You hire us wedding photographers for our empathy, for our sensitivity to your beauty, happiness, and love!  (Otherwise, we’d all save the money and have surveillance cameras or robots take our wedding photos, right?)

__

* Of course, before you can love it, you have to make peace with the vast and charming/maddening limitations of the camera phones.

** Those of you who know me well know that I have a devoted love of sh—— toy cameras. I can’t help myself.  Memories sort of flicker.  A lot like toy cam pictures.

*** Strong inspiration for this post came a few months ago, when I saw photojournalist David Guttenfelder’s iPhone photographs from the war in Afghanistan.  News photos seem so much less personal than cell phone photos from the news photographer.   I’m not sure why that is, but I was taken aback to realize it …

photos: Gia Canali

Dreaming of a Trend: Ice Pops

popshop-5

Today is the first really warm day we’ve had in a while.  And I’m celebrating (well, in just a minute here) with a Popshop ice pop break in my back yard.  Last summer’s weddings were hot! Hot, hot.  I kept thinking they could be much improved with a popsicle here or there, to keep us all from melting.  So I’m just putting it out there to the wedding-ready universe, that I want ice pops.  From the Popshop.  Any flavor will do, but avocado vanilla is really my favorite.  Or maybe Mexican chocolate. Or coconut vanilla (which is wedding white for all you melt-a-phobes).  You pick.

I think: sharing childlike pleasures with a bevy of wedding guests could be pretty grand.  No affair is too formal for that kind of happiness, right?

photo: Gia Canali