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S & E’s wedding embodied all the most elegant and magical things about wine country and we were thrilled that it was featured in this year’s C Weddings. So we thought we should offer a closer look at the wedding in its intricate and well-designed detail. Below: the bride’s ceremony-ready updo; bouquet of peonies and garden roses by Sharla Flock (complete with mint and dusty miller Sharla plucked from her own garden!); ceremony set in the ruins of an old winery. During the recessional, the bride and groom were followed out by a New Orlean’s style jazz band (!).

A ceremony design note: wide aisles are wonderful, and afford excellent vantage points for photographers and guests alike.  If you have the space, make a wide aisle.

During cocktails, Stacy McCain and her crew oversaw the transformation of the ruins area into a dining area.  We love the centerpiece design by Sharla Flock.  (I also worked with her on this inventive wedding last spring).  Meanwhile, the bride was transforming her look, too.  The bride and groom had a busy schedule, but we were happy to catch them here and there, in between the various parts of the day.

Dessert, dancing, and self-portrait-taking in the barn followed dinner.  If you look closely above and below, you’ll see some of the many musical ensembles that contributed to the festive mood of the wedding from beginning to end. One thing we loved about the wedding was how very different each part of the day looked and felt.  Musical cues were as important as visual ones.  We also loved how personal the food felt.  The groom’s family contributed produce from their farm, including almonds for badam kheer, a traditional Indian dessert drink (that I am now mildly obsessed with … and have started making regularly on my own!).  The couple departed the reception in a vintage Packard. I love the grand exit as a photo op (even if I am, as I was here, the only one there to witness it).

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photos: Gia Canali; planning & design: Stacy McCain Events; floral design: Sharla Flock; music (!!): Ed Ivey, Bay Area Booking; bride’s gown, Vera Wang; stationery, Hello!Lucky; lighting, Got Light; venue: Annadel Estate; catering: Paula LeDuc Fine Catering

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Head on over {here} to see the full feature, including lots of photographs of Kellie’s beautiful paintings, which served as centerpieces and escort cards!

photo: Gia Canali

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Negar and Peter’s wedding was fantastically formal, glamorous, and richly textured in a way that very few weddings here in California ever are.  If I could think of one phrase to describe this wedding, it would definitely be, dressed to the nines.  Of course, that phrase makes a lot of sense when a fashion stylist weds a writer.

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Above: Tiny Pine Press designed and handmade these formal letterpress wedding invitations for Negar & Peter.  I love how they look like they might have come out of grandma’s wedding album … or an F Scott Fitzgerald novel.  They make me hope for a return to classical wedding design.

Negar & Peter had a traditional Persian ceremony, fireside, with a beautifully decorated sofreh. In Persian ceremonies, I love when all the girls (sisters, friends, mothers, aunts, etc.) get up and sprinkle the couple with sugar flakes.  What wedding couldn’t use a little sweetness like that?

Negar called on her gifted pals, Joseph Free and David Rogers, who are usually busy designing events for Vogue and fashion designers, to design the florals and decor for her wedding. Inspired by their handiwork, and not surprisingly, this is the wedding that made me rethink baby’s breath.  Heaps of lacy-soft baby’s breath and the warm glow of candlelight, it turns out, are pure magic. Here are a few of the intricate and particularly stellar details:

Even the wedding’s tiniest guests were dressed up and ready to party:

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We were honored to have this wedding featured in C Magazine’s C Weddings this April and are doubly thrilled that it’s being shown off on Style Me Pretty {here} today as well.

photographs: Gia Canali; venue, The California Club; invitations: Jennifer Parsons, Tiny Pine Press; floral design: Joseph Free; event decor: David Rogers; gown: Monique Lhuillier; bride’s jewels, vintage Neil Lane; shoes, Valentino

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I am ready for summer. I am.  But I do not think I am ready for peony season to be over just quite yet.

photo: Gia Canali; bouquet: GD Designers

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photos: Gia Canali; floral design, Sharla Flock; cake topper; PubliQue Living; paper goods, Hello!Lucky and Joel Dewberry; table “numbers,” Because We Can with Hello!Lucky; lighting, Jimmy Duhig, Creative Lighting Design.

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As promised, here are some more images from the editorial floral shoot featured in the 2010 edition of Ceremony Magazine.  Designed by Michael Mantalos, Louloudi Design. Linens by LaTavola Linen. Thought you might like some cheery color yourself.

photos: Gia Canali

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{click any image to enlarge}

As a photographer who enjoys photographing weddings, I’m all for real real weddings. But it’s so much fun to make editorial photographs of all those hypothetical (and totally attainable) picture perfect details.  On newsstands now is the 2010 issue of Ceremony Magazine with a few of my photographs from a shoot I did over the summer with Michael Mantalos, the floral designer behind Louloudi Designs.  The color palette was so lovely that I left the shoot wanting to do a painting in those colors.  I promise to share a few more images soon.

photos, except magazine cover: Gia Canali; florals and design, Michael Mantalos; linens, LaTavola

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Wishing you all a cornucopian Thanksgiving, lots of love, and good things all around!

photo: Gia Canali

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