Negar and Peter’s wedding was fantastically formal, glamorous, and richly textured in a way that very few weddings here in California ever are.  If I could think of one phrase to describe this wedding, it would definitely be, dressed to the nines.  Of course, that phrase makes a lot of sense when a fashion stylist weds a writer.

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Above: Tiny Pine Press designed and handmade these formal letterpress wedding invitations for Negar & Peter.  I love how they look like they might have come out of grandma’s wedding album … or an F Scott Fitzgerald novel.  They make me hope for a return to classical wedding design.

Negar & Peter had a traditional Persian ceremony, fireside, with a beautifully decorated sofreh. In Persian ceremonies, I love when all the girls (sisters, friends, mothers, aunts, etc.) get up and sprinkle the couple with sugar flakes.  What wedding couldn’t use a little sweetness like that?

Negar called on her gifted pals, Joseph Free and David Rogers, who are usually busy designing events for Vogue and fashion designers, to design the florals and decor for her wedding. Inspired by their handiwork, and not surprisingly, this is the wedding that made me rethink baby’s breath.  Heaps of lacy-soft baby’s breath and the warm glow of candlelight, it turns out, are pure magic. Here are a few of the intricate and particularly stellar details:

Even the wedding’s tiniest guests were dressed up and ready to party:

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We were honored to have this wedding featured in C Magazine’s C Weddings this April and are doubly thrilled that it’s being shown off on Style Me Pretty {here} today as well.

photographs: Gia Canali; venue, The California Club; invitations: Jennifer Parsons, Tiny Pine Press; floral design: Joseph Free; event decor: David Rogers; gown: Monique Lhuillier; bride’s jewels, vintage Neil Lane; shoes, Valentino

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photos: Gia Canali; floral design, Sharla Flock; cake topper; PubliQue Living; paper goods, Hello!Lucky and Joel Dewberry; table “numbers,” Because We Can with Hello!Lucky; lighting, Jimmy Duhig, Creative Lighting Design.

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I think … we should rethink our eschewal of baby’s breath.  In lavish quantities, all-by-itself, it’s so pretty and so soft.  Like lace.

photos: Gia Canali

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As promised, here are some more images from the editorial floral shoot featured in the 2010 edition of Ceremony Magazine.  Designed by Michael Mantalos, Louloudi Design. Linens by LaTavola Linen. Thought you might like some cheery color yourself.

photos: Gia Canali

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As a photographer who enjoys photographing weddings, I’m all for real real weddings. But it’s so much fun to make editorial photographs of all those hypothetical (and totally attainable) picture perfect details.  On newsstands now is the 2010 issue of Ceremony Magazine with a few of my photographs from a shoot I did over the summer with Michael Mantalos, the floral designer behind Louloudi Designs.  The color palette was so lovely that I left the shoot wanting to do a painting in those colors.  I promise to share a few more images soon.

photos, except magazine cover: Gia Canali; florals and design, Michael Mantalos; linens, LaTavola

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{Click any image to take a closer look!}

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photos: Gia Canali

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These are the dog days (and nights!) of summer and I find myself wanting to paint everything in the hottest colors I can imagine.  I want even my blues to be hot.  Tammy and Mickey’s wedding has been on my mind lots these past days and mostly because of their hot, hot colors.  The pairing of pinks, purples, oranges, yellows, and electric blues with their venues and the very sensuous mood of their wedding worked especially well for them.  And although we use lots of these images elsewhere in our blog and site, I thought it would be good to get an idea of how everything worked together to create what was really a breathtaking event.  As in any good color design, the color should work with the color scheme and season and general mood of your location, rather than against it.   Throughout the images, you might notice bits of blue and turquoise.  I think … little accents of cool color bring out the heat in all the other colors.  I also got the distinct impression that their wedding became warmer and hotter as day became night.

Genius florals by Michael Mantalos, {Louloudi Design}.

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Tammy’s accessories included a barrette she made by hand at work (she’s a fashion designer!) …

Mickey getting ready, and showing off his Canali suit.  Love it!

A few photographs from their sweet ceremony.  When you wed at a church as ornate as this one, no adornment is necessary.

And here’s where it goes from warm to hot—the warmth of candles, the heat of red dahlias and yellow orchids, and the opulence of a gilded cake combine perfectly.  Cake by Margaret Braun.

A belly dancer entertained the guests during dinner.

I am a fan of any excuse to get everybody very happily dancing.  It is one of the best opportunities to photograph bride and groom with their wedding guests.  After the first dances, Greek dancing began.

The evening ended with some of our favorite nighttime portraits.  (Yep, I posted some of these earlier this week.  That’s what put Tammy and Mickey’s wedding fresh in my mind).

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Revisiting their wedding these many months later, I am wondering how so few of these images made it through to our portfolio.  Of course, I’m always a little discouraged by how little of our work we can really show—but that’s a major reason we started this blog.  I think Tammy and Mickey’s wedding is a fantastic example of a wedding that was opulent without being extravagant.  There were little handmade touches.  We love that.  Hope it inspires.

photos: Gia Canali

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