Tag Archive for 'collaborating with your photographer'

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Collaborating With Your Wedding Photographer, 113: Planning for a Picture Perfect First Dance

The first dance is such a sweet moment in the wedding day.  It’s a challenge for shy brides and grooms (since all eyes are on you!), but I think it’s a particularly lovely tradition, one that can yield some fantastic photographs, and one that deserves some thoughtfulness in the planning of your wedding day.  Here are a few easy tips to get you started:

1. Choose that just-right song.

Emotion in real life = emotion in your real photographs.  The song can be magical or meaningful, sentimental or just plain fun, but definitely choose one that makes you two dance.


2. Consider the lighting and space you’ll use.

Lighting can add drama, but it also shows off your faces.  And I know I’m always reminding folks about their grannies, but your grannies will be glad they can see your faces, too.  This might mean planning your first dance just before or after sunset if you are planning an outdoor reception.  Or it could mean bringing in lighting to accent the dance floor if you’re planning an indoor or late night outdoor reception.

3. Practice!

I don’t necessarily mean you have to take dance lessons, though I have seen—and thoroughly admired!—some spectacular choreographed and rehearsed first dances.  Practice could simply mean slow dancing around your living room a few times before the wedding (which you’ll probably love anyway at that point in the planning!).

photos: Gia Canali

Collaborating With Your Wedding Photographer, 112: For Savvy Couples – Why Two Photographer Coverage Is So Smart

Two photographer coverage of your wedding day might sound like a nifty luxury, but in fact, it’s darn close to (or, frankly, is!) a total necessity.  Some photographers, myself included, work exclusively with a second photographer/assistant.*  And because it’s our job, as the professionals, to watch out for you guys, to set you up to succeed—and, truthfully, to set ourselves up to succeed on your behalf—I thought we should talk about why savvy couples book two photographer coverage of their weddings and why I require it for the weddings I photograph.

I. You Want Better Art

Two pairs of (trained) eyes are better than one.  Two photographers will see the same wedding entirely differently.  One of the reasons I love working with my husband is that he continually astounds me with how he sees what I see, but he sees it differently.  The coverage we offer together is more varied and more unique than what I could offer alone.

II. You Want a Better Wedding Day

Your day is better because we are efficient. When we’re working together, we can wrangle the zillion cameras and zillion people involved in a wedding day smoothly.  My shooting style requires two necks (at least!) to wear all the cameras I rotate through while I’m shooting.

And two pairs of hands mean I can keep shooting even when a roll of film needs changed or a new battery needs to go into a camera.

Plus, all the “organized” formal group photographs move along quickly and easily, which spells more time for you and your beloved with each other and with your guests.

III. Most Importantly: You Want To Protect Your Investment (And We Do, Too!)

The other reasons aside, the one that makes two photographer coverage of the wedding day a non-negotiable as far as I’m concerned, is that we all want to protect your investment in photography—in us. Sometimes a photograph of mine is better than my husband’s.  But sometimes his is better than mine.  Sometimes the shot or angle we thought would be the best, for some reason, isn’t (an overzealous aunt walked into the shot, say). But the other person got just the shot.  And that’s only thinking of normal shooting conditions.

What if a roll of film came out badly? What if one of the photographer’s shots were just slightly out of focus? What if something went wrong with a camera card? What if one of your photographers got sick at the wedding? Or hurt?  It would still be your wedding day. And, with two photographer coverage, you’d still have beautiful heirloom photographs of the entire day.**

Destination weddings, of course, up the ante on all these concerns because so much can happen when travel is involved.***

In the end, I’m talking about you making sure we all get it right (and get it best!) the first time because there’s only one go at your wedding day.

photo: Gia Canali

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* Some weddings are more logistically involved than others.  So with really big weddings, I’ll bring a third person, just to assist me and expedite what we do.
** Okay, that’s not to say that we don’t still miss something every once in a while.  We aren’t robots, after all.  And we can only be where we can be and do what we can do.
*** Not to mention that my cameras don’t all fit in one person’s carry-on luggage.  But that’s a story for another day.

Collaborating With Your Wedding Photographer, 110: Optimizing For A Limited Hour Package

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Sometimes, getting the photographer of your dreams means going with partial day coverage instead of full-day coverage.  And if that’s what you need to do, do it.  But—if there’s any way you can help it—don’t skimp on coverage early in the day.  Unfortunately, photographs of getting ready are often the first thing to go with limited photographic coverage.  Not only is the getting-ready time a beautiful ritual in and of itself, but it’s one you and your fiance generally go about separately from each other.

Adding time on the day of the event won’t necessarily give you time earlier on in the day when you’d have really needed it. So it’s a good idea not to rely on adding coverage on the day of the wedding.  In any case, proper advance planning should tell you how much time you should budget for.

photos: Gia Canali

Getting Great Wedding Photographs, Tip #19: Pace Your Ceremony *Gently*

Your wedding day will already feel like it’s moving by at lightning speed.  I can tell you that for sure.  And while nobody wants the ceremony to go on-and-on-and-on, the wedding ceremony is—truly—the wedding.  You want to remember these moments.  And not only by photographs.

But, frankly, you do want to give your photographer enough time to capture great images of all the goings on—not just with you and your beloved, but also with your attendants, friends, and family (sometimes the reactions are priceless).  So, take a deep breath and look around while it’s all happening.  Don’t rush yourselves.  And while you’re soaking up your real life ceremony, your photographer can work on creating a beautiful and varied record of those fleet-footed moments.

(I’m hesitant to put a number of minutes as a minimum on your ceremony, but I’d say: planning a ceremony that is shorter than fifteen minutes should give you pause.  Everyone is going to talk faster and walk faster on the day of the wedding.  They’ll be excited.  As a bride, I was so excited—and also so unfamiliar with the music—that my dad and I processed in at the wrong time.  Not that I really cared.  I just wanted to get on with it!)

photo: Gia Canali

Collaborating with Your Wedding Photographer, 109: Planning Your Engagement Photographs

There are lots of different reasons people want engagement portraits.  Some people want to get practice in front of the camera.  Others want prints to display at the wedding.  Some folks want nice images to use for their save the dates.  Or they just want a few nice photos of themselves together in—if not regular—at least non-wedding attire.

In any case, planning engagement photographs is just like planning other sorts of portrait sessions, with a few special considerations, mostly in the interest of timing your session out before the wedding.  So these tips are also good for people looking to plan a bridal session, a family portrait session or a children’s session (well, except you want to keep in mind kids’ naptimes and happy vs. grouchy times in mind, too, not just lighting).

I. Imagine a Concept

I always think the most successful sessions have the simplest concepts.  Choose somewhere meaningful, like where you had your first date, or re-create your proposal, or take photographs at home, particularly if it’s a home you’ve built or remodeled together.  Choose something fanciful (you know, I’ve had a few couples choose underwater photographs).  Choose something you love doing together – my twin sister, Meghan, just did a portrait session with a couple skiing (so cute!).  Your photographer might be able to help you get your ideas flowing, so definitely ask for help if you need it.  She may be floating an idea around in her mind, just waiting to match it to the right couple.

II. Choose a Location

Your concept may dictate a specific location, but if not, it’ll certainly help narrow down to the type of location you want to find.  In Los Angeles, be mindful of location permits and use fees (insert groaning and rolling-of-eyes).  Other places aren’t so strict.  Your photographer may have some ideas – you may have some ideas – and scouting is almost always very helpful, particularly if you want to use a location you aren’t familiar with.

III. Think About Time of Day

There are a few times of day that are generally excellent to take photographs: early in the morning, during that last golden hour before sunset, and, in some locations— think urban locations with lots of lights—just after sunset when the sky is deepening blue.

IV. Think About What You’d Like To Do with the Images

This might be counter-intuitive, but with engagement photos specifically, planning ahead for the output is important in case you want anything ready in time for the wedding.  Do you want a single stand-alone image to print?  Do you want a collection of prints? Are you looking to make a book? Would you rather have one or a few handmade prints? Does any of this need to be ready in time for your wedding?

V. Plan Your Wardrobe / Look

I think the best looks for engagement photographs are flattering and special.  I’m not crazy about costume-like looks, but you want to look your best for sure! Note: though both partners should look equally dressy.

VI. Schedule Your Session

With all this information gathered, all you’ll need is to coordinate with your photographer.  If you would like prints or albums in time for the wedding, be sure to ask how much lead time your photographer needs to put those things together.  With destination weddings, “engagement photos” might not happen until the day after the wedding.  But otherwise: give yourselves plenty of time before the wedding, if at all possible.  And once you settle on a session time, stick to it!  If you’re planning photos during the busiest part of wedding season, missing a session might make rescheduling tricky.

We’ll talk about getting great results at your session soon!

photos: Gia Canali

* This couple opted to take their photos on the Malibu hillside where he proposed to her!

Wedding Myths Debunked:: Myth #1: The Bride Should Get Ready Last So She’s Not Stressed Out

I don’t know how this particular one is so pervasive.  I was just talking about this with one of my clients:  when I got married, all I wanted to do was get ready so I could get on with the day and see my love!  If I’d have had to sit around waiting while everyone else had gotten their hair and makeup done, and then mine had taken (as it turned out) a whole hour longer than I’d allotted, I think I would have lost my mind.  My experience aside, I also see this bridal scheduling snafu happen from time to time (always made by folks with the best intentions) and the bride is always so stressed out when it happens, that I think it’s worth mentioning here.

So: brides, get ready first.  Getting ready and, in the end, being ready for your wedding day is really grounding. What’s the worst that can happen? You have time for a toast with your girlfriends before the ceremony … ?

photo: Gia Canali

Collaborating With Your Wedding Photographer, 401: On Great Expectations

Meeting your expectations is (relatively) quite easy.  Meeting our expectations is what you want to empower us to do.

(Don’t get me wrong: there are plenty of wedding photography expectations floating around from you and your parents and your grandparents, and while these expectations also are exceedingly important to us, we understand them easily and well.  We’re going to meet them and then some. We’re just saying: even so, do everything in your power to make sure we can also give you the photographs we’re imagining for you.  We’re not aiming merely to meet your expectations.  We’re going for extraordinary, one-of-a-kind, ethereal, take-off-the-top-of-your-head photographs. And that’s what you want to empower us to do.  If anyone has great expectations of us, it’s us. Learning to play that to your advantage is what I’m hoping to teach you to do.).

photo: Gia Canali

Getting Great Wedding Photos, Tip #17: Be Enthralled!

I’m wading through the ever-increasing volume of images we’re making this wedding season, and certain things do stand out: like the rapture of a couple completely enthralled with one another.  They forget about me and the veil (between the presentation of themselves to the world and how they actually are when the rest of the world isn’t watching) disappears, if only for a second.

photo: Gia Canali