Tag Archive for 'itinerary'

Interview With Yifat Oren: Tips For Everyone From Celebrity Wedding Planning, Part I

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Yifat Oren has spent the last dozen years planning weddings and parties for some of the most discerning folks in Hollywood. When asked about her work, Yifat says, “I love what I do because I love what goes into weddings:  design and décor, food and wine, fine papers, entertainment, and even the creativity that goes into executing it all flawlessly.   I think the best weddings I do are a great collaboration between the clients and myself—that kind of collaboration breeds the most creative, trend-setting results.”

Those clients are high-powered and high-profile, everyone from Mariska Hargitay & Peter Hermann and Christine & Kevin Costner, to a host of Hollywood producers and business moguls.  And while a lot of what these folks do for their weddings seems (or is!) totally unattainable for most of us, some of the most important and impactful aspects of planning a fantastic wedding translate perfectly to diy (or do-it-with-a-little-help) wedding planning.  You don’t necessarily need more money or a bigger wedding budget; you just need a little forethought.

Consider The Guest Experience:

“Be thoughtful and cover your bases. When I’m planning a wedding, I walk through the entire event ahead of time, as if I am a guest. I imagine, for instance, “I just got off the shuttle. I left my hotel room an hour ago.  I’m probably thirsty and I need shade because it’s hot.  So we would serve cold beverages as soon as people get off the shuttle to quench their thirst and either a canopy or some market umbrellas for shade.  The grass is tricky to walk on because ladies’ heels will sink. So we put out ‘heel savers’ … and so on, throughout the rest of the party, ending with a heater near the valet station, to be sure your guests aren’t freezing as they wait for their vehicles.”

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Here are a few specific areas you can consider:

1.    Be thoughtful about parking.

If you’re not doing a valet, it’s okay—just make sure there’s plenty of parking so your guests don’t have to walk too far or fight for spots.”

2.    Consider the weather.

If there’s sun in everybody’s eyes during the ceremony, it’s awful.  So offer some parasols or change the direction of the ceremony if possible.  It’s nice to let people know, especially the ladies, what they can expect in terms of weather and terrain for the wedding day.  If they’ll need to wear wedges, let them know.  If it’s going to be cool during the evening but hot during the day, they might not think to bring wraps, so let them know ahead of time or provide them yourself.”

3.    Consider the general appeal of the food.

You can be a total foodie, but if you want to serve something that’s wild and out there, do it as one of six appetizers, not as the main entreé that comes out for dinner.”

4.    Consider your bridesmaids and groomsmen.

Usually they have to be there hours ahead of time.  Make sure there are cold drinks for them, somewhere for them to hang their coats and stash their stuff, somewhere to sit down, and some shade, especially in the summer.”

5.    Consider the bathrooms.

Have someone checking the bathrooms throughout the night.  Make sure they are clean, well-stocked, and that the plumbing is working.  We like to set out nice hand-towels, not linen ones, but nice linen-like paper ones.  We also leave things your guests might need in the bathroom—a nail file, clear nail polish, extra deodorant, nice soap, lotion, safety pins, a mini sewing kit, and feminine hygiene products.”

I think that we (the wedding-ready universe) spend a lot of time thinking about who to invite and about hiring services, but not so much time about the experience of those services for ourselves and our invited guests. Hiring services is not the same thing as creating an experience. These tips are really helpful in taking diy wedding planning that one very important step further—having bathrooms at your venue, for instance, isn’t the same thing as having continually clean, well-stocked bathrooms for you and your guests all night long.  Small but important details can be not-thought-of at all.  Of course, in a world where we all had business-mogul-sized wedding budgets, we’d want to hire an experienced and expert wedding planner to think of all these things for us (because, believe me, Yifat thinks of everything).    Check back tomorrow for part two. Thanks, Yifat!

photo: Gia Canali

Getting Great Wedding Photos, Tip #15: Allow Plenty of Time To Put Your Wedding Dress On

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Allowing at least 30 minutes for just the “dressing” part of getting ready is really important—even if you’re wearing a really simple dress.  Not only do you not want to be rushed, but you never know when you might need that extra time.  Sometimes a zipper breaks, or you need to be sewn into your dress last-minute, or your straps are too long and need to be altered on the fly, or you’ve forgotten some totally essential part of the getup, or … or … or.  In any case, even if everything goes off without a hitch, you’ll still need time for putting on all your glorious accessories.

photo: Gia Canali

Getting Inspired Performances from Your Wedding Photographer & All Your Wedding “Vendors” or Artists

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The Inspiration For This Post Is You.

I have had drafts of this post floating around my computer for nearly a year and floating around my brain for much longer than that.  One of the driving reasons for starting this blog is that I want to help or coach people into getting the best photography that they can possibly get, from me or from any other photographer.  I want folks to be educated consumers (hmm … let’s say “patrons” or “commissioners”) of photography.  The truth is that everybody wants to get the most out of their wedding photography, and out of their wedding.  And each and every couple deserves an inspired performance from all their wedding vendors, right?  But sometimes—surely unwittingly—brides and grooms can get in their own way of making that happen.  I want to be delicate about this, but also truthful.  Nearly all of my clients are so thoughtful and considerate of us that it hurts my heart (really!) … but small considerations (or—gasp!—mistakes) can really make an impact, whether or not the client is really aware of it in the end.

(Okay, let me back up and be clear on this: the term “vendor” does kind of make me gag.  I’m used to it, after eleven years, but not happy with it.  Meg over at A Practical Wedding has kindly suggested a reconsideration of the terminology, maybe wedding elves.  It’ll do.  It at least describes the work ethic and energy most of my colleagues and I put forth at weddings.  But you could just call us artists. If you want to.)

I. The most important thing is TRUST.  Hire artists you truly trust, and then trust them to do their jobs with excellence.

Hire artists you trust, and then trust them. Nothing is more morale-busting or inspiration-deflating than micromanagement.  You want artists who share your vision, obviously, but keep in mind that they’ll do their jobs how they do their jobs and not how you’d do their jobs.   Listen to your wedding elves; we promise to listen to you.  We want to get you what you want (and then some!)—whether or not you know exactly what that is and whether or not you can articulate it—and we know how to do that.  The adage “expectations are premeditated resentments” fully applies, though.  Allow yourself to be surprised and delighted with our interpretations of your secret hopes and wishes.  We work so hard and consider our efforts a labor of love.  We are soulful about what we do.  I think there are probably folks out there who aren’t, but you don’t need to hire them, right?

II.  Give them what they need to do their jobs with excellence (e.g., time, space, resources).

This is a huge and, unfortunately, very common mistake we see.  For instance, so many weddings run behind because of hair and makeup (despite our often-repeated and LOUDEST advice for folks to pad the hair and makeup schedule).  I’ve previously always held an ill-founded vendetta against stylists themselves, but now that I have produced a short film (since I don’t have enough to do during wedding season), I can see how the makeup artists might feel flustered or set up to fail.  That’s not a good way to go into a job.  I know I can get flustered when folks step in and try to tell me how and how fast to work.

And I can’t tell you how disappointing it is when I have clients claim that portraits are so very important to them, how they’re envisioning all these set ups, lots of variety, and then they schedule fifteen minutes or less for portraits of themselves. Photographs are actually moments in time.  So we need time to make them.  Other artists need other things to do their jobs well.  Producing a wedding and producing a film are probably not all that different in the end.  You might want to think of yourself as a “producer.” On a film set, the producers (who put out all that money) make certain that everybody there—all the artists, all the talent, and all the so-called help—has what they need to do the best work possible.

III. Keep your artists, vendors, wedding elves performance-ready: well-fed, well-hydrated, and as rested as possible.

These considerations are of course much-expanded with a destination wedding, but the same principles apply to one-day local weddings.  My suspicion is that people can sometimes forget how really human we are.  I have heard this complaint voiced most often by the wedding planners themselves. We need nourishment, water, and a little appreciation (see below).  Keep in mind that you want your planner and photographers and videographers to be working their best all day long and after dinner, too – if you give them a crummy meal, not only does it literally leave a bad taste in their mouths, they’ll be running on empty and their growling tummies will be begrudgingly ticking off time until they can leave and get some real food … if that’s even possible.

  1. Maintain a human pace to the day.  Your vendors will have a good sense about what’s realistic.  You want your day to be humane for you, too.  Harried and joyful might actually be mutually exclusive.
  2. Keep water and other non-alcoholic beverages accessible throughout the day.  In California, with all our 100+ degree weddings, heat stroke is a real and serious concern.
  3. A good vendor meal is nourishing, timely, balanced, and absolutely necessary.  A few years ago, I kept hearing people say, “a vendor meal is a courtesy, not a requirement.” Seriously?  We know catered food is costly and we aren’t saying you have to give us the filet mignon unless you want to (!), but remember that we are human: we can’t run on empty and we can’t go anywhere else.  You don’t want us to. It’s one thing to be a band member  and come at five o’clock (hence the ubiquitous bandwich), but for those of us who have already been running around for eight or ten hours before dinnertime with twenty five pounds of gear swinging around our necks, it’s nonsensical.  On my contract, I say “feed us whenever you eat,¹ and feed us well.  Warm, nourishing food is a good idea. Wedding photography is a lot like marathon running.”  And so it is.  I have to prep for my job with running, hiking, and lots of pull-ups.
  4. Respect dietary restrictions.  There are a lot of reasons people eat the way they do, whether out of religious or ethical belief, allergy, or preference, but it is always personal.  I, for one, am allergic to the United States of America.  I can’t tell you how much I appreciate sitting down to a meal I can actually digest.  It’s a matter of consideration and respect at the most basic level.
  5. Some things don’t count as real meals: pasta with no meat, salad with nothing in it, sandwiches with dried nasty chicken, just to name a few.  Think nourishing, timely, and balanced: protein, grain, and something that would feel good in your tummy.  Our favorite vendor meals are always from the folks at Lucques but we’ve had lots of good same-as-the-guests meals, too.  Lucques gives us a complete meal.  My last one was a beautiful, tasty, and nutrient-packed nicoise salad; my husband had a giant holy pilgrim sandwich with lovely thick slices of roasted turkey; we also both had an apple, a dessert (chocolate-covered honeycomb for me, chocolate chip cookie for him), and homemade sweet potato chips (still dreaming about those and Matt swears he’d give up Doritos if I could offer him a steady supply of them).  I know I’m going on and on about food.  But it’s important.  All of this is to say: be sure you know exactly what your caterer is feeding the vendors, whether it’s the same food as your guests are being served or not; don’t assume the caterer will just get it right.  You may be charged the full meal rate while your vendors are eating terrible cold sandwiches.  Not that good cold sandwiches don’t exist.  Your caterer might be trying to feed ham to folks who keep a kosher diet. Eeps! There are no hard and fast rules here, just a gentle call to attention to detail.  A good meal is a good meal.
IV. In the same way that actors perform better with a little applause, your vendors will perform better with a little appreciation.

I’m not talking about gratuity; I’m talking about gratitude.  We’ll do our jobs either way (with gratitude or without), but we’ll do it better if we know you’re thankful for our efforts and creativity.  We’re human.  We’ll work to our own high standards for anyone, but we can’t help but go that extra mile for the couples who love us.

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That’s me! With my Leica! On a (rare) bathroom break!

¹ If you feed us when you eat, all that you’ll “miss out on” are photographs of folks eating.  Which you don’t want anyway.  Feed us later on, and we’ll be missing the real moments.  You might need to make this point to your caterers if they are providing the vendor meals.  Sometimes they won’t feed the vendor-folk until after the dinner service is completely completed.  This seems counter-productive because we’ll be eating when things are getting going again …

photos: Gia Canali

Getting Great Wedding Photos, Tip #12: Dance With Your Friends, Too!

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We all know it’s important to dance with your beloved.  But don’t forget your friends!  Not only does it make for good photos, it makes for good memories.

photo: Gia Canali

Notes Toward A Slow Wedding

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There’s so much pressure these days to fit it all in—even in the face of the so called non-traditional wedding—folks are going for every possible potentially meaningful moment and kitschy tradition (and diy detail!) they can think of.  It is like having an all-you-can-eat-buffet mentality to planning your wedding.  I say: let’s take it easy.  Do a few things well.  Make your wedding one where you can enjoy good food and the company of good friends and family. After all, that’s why you’re having a wedding with people attending.

Congratulations, Tom & Kimberly!

Collaborating with your Photographer, 104: Getting Great Getting Ready Photos

The first wedding I photographed was my high school friend Kori’s.  In the weeks before the wedding, nobody was planning to or hired to take photographs, so I volunteered.  I was justifiably mortified that this momentous occasion might go undocumented—and was apparently (happily) undeterred by my lack of experience.¹  The wedding day was a whirl—so much happening—an emotional ceremony, the reception in her father’s barn, a pig roast (!), and Kori had made her own beautiful dress by hand, complete with a whole backful of real buttons.  Taking photographs was so exhilarating that I raced out to a one-hour photo developer as soon as I left the party.  I was completely impatient to see the photographs we’d made²— which (thank God!) turned out great—and wanted Kori to be able to bring the pictures on her honeymoon.

What surprised me most at that first wedding and what I could never have anticipated was the transformation Kori made from woman to bride.  I mean: Kori was really a very pretty girl, but as a bride, she absolutely shone.  Now I’ve documented well over a hundred weddings (maybe hundreds?), and though expected, the transformation of every woman to bride is no less dramatic.  This transformation, I believe, is why we all love the getting ready photographs.

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We know we are going to outdo ourselves.  And somewhere in that getting ready time is where it happens. Also, it’s one of the few parts of the day that our spouses don’t see.  So there’s a natural curiosity.  And for my part, I know I really had wanted to see evidence of my husband preparing for our wedding. Despite the obsession on all our parts, it’s easy to make design mistakes that adversely affect the getting ready photographs.  Fortunately, it’s just as easy to take some simple measures to ensure gorgeous getting ready photographs.

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1.  Choose a room with good light.  I love when brides and grooms get ready at their home or at their parents’ homes.  Obviously, this isn’t possible at destination weddings.  If you get ready in a hotel or other location, choose a room with bright indirect light (like with nice giant north facing windows, if we’re going to be picky!).

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2. Make the space clean and tidy.  Or if you choose to get ready in chaos (think big family, big bridal party chaos), let it be beautiful chaos.  This is sometimes the hardest part to manage, but it is essential—and it really impacts the photographs.  The room, of course, is the backdrop for all your getting ready photographs.  Keep luggage neatly packed and out of the way.  If you’re in a hotel, call housekeeping service and have the beds made up and room cleaned.

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3. If at all possible, make it possible for your photographers to go back and forth between the bride’s getting ready location and the groom’s.  Two rooms in proximity are always a good choice.  You’ll get more photographs for your time.  No matter what, don’t forget about the groom.  Watching the groom figure out how to get dressed is sometimes the best part!  His exciting getting-ready photos only take about fifteen minutes (well, honestly sometimes about three minutes), so it won’t detract from your coverage.  Schedule his getting ready photographs while you’re getting your makeup started. Nobody really wants photographs before the foundation goes on anyway.   (A side note is that a lot of couples request a divide-and-conquer strategy for the getting ready photographs, but you should definitely check with your photographers to see if this works well with the way they shoot.  I dislike dividing cameras and resources, and my husband and I have developed a great way of shooting together.)

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4.  If intimate getting ready photographs are important to you, consider wearing lovely lingerie for the getting ready photographs (even if you plan to switch to Spanx for the rest of the day).  Let your modesty guide you, of course.  If you want to wear a lacy bra or corset while you’re getting your makeup done—or just while you’re getting ready to put on your dress—so be it.  But if you’d rather sneak into your dress in private, that’s totally up to you.

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5.  The details matter.  Most brides love photographs of all the little details they’ve spent months (or more) acquiring: the dress, the shoes, jewelry, bouquet, etc.  So keep these details easy to access.  I also suggest bringing your own pretty hanger to hang the dress on.  My favorite hangers are antique.

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6.  Schedule your preparation time properly—and pad your schedule.  Allow enough time to do everything you need to do—hair, makeup, dressing, driving between locations (all you LA brides)—and then some. If you have a complicated gown with lacing, real buttons, or lots of layers, allow extra time to dress.  More often than (I’m sure) your stylists would like to admit, hair and makeup run as much as an hour and a half behind.  The indecent measure of stress that adds to your wedding day shows in the photographs. The best case scenario involves you having time for a champagne toast with your attendants.

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7.  Save five minutes (or more!) after you’re all ready for a few portraits before you go out into the busy-ness of your wedding day.  Your hair and makeup are still perfect and the bridal transformation is complete.

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What do you think makes the biggest impact on getting ready photographs? I’d love to hear … Leave a comment and we may update this post or add another on that topic.

photo credit: Gia Canali

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¹ I have this theory that the so-called beginner’s luck is formed by the blissful unawareness of what we are to fear, like an ingenue’s confidence.  It’s helpful.  We learn to fear things (like lost rolls of film, poor exposures, getting heckled during family photographs, etc.) only later on.

² This was in the all-film era, of course.  I grew up near Rochester, NY, Kodak’s headquarters.  So I’d seen digital cameras.  Several years before, one of my prom dates’ fathers had a prototype digital camera from work and had taken photos of all us kids dressed up for prom.  We were wowed when he showed them to us a moment later on his computer.

Wedding Traditions We Love (Photographing)

I spent my weekend laughing and crying my way through my cousin’s wedding—and thinking a lot about why we do what we do at weddings (and why we should!) and some of the things I love photographing at weddings. Because weddings, even the so-called untraditional ones, are steeped in tradition. So I’d like to blog about traditions I love (as a photographer, of course!).    Some of my favorites are from Jewish and Chinese wedding traditions—creating a chuppah, visiting tables, and changing dresses.  But there are plenty of traditions I see at almost all weddings that I love just as much and hope don’t disappear in the push to cast off tradition.

Part I, Traditions I Sometimes See That Make For Great Photographs:

The huppah is lovely for a number of reasons.  Not only is it symbolically meaningful, signifying shelter for the couple and four open sides of their marriage, but it provides a beautiful backdrop for the ceremony.  Clearly this has been on my mind the last couple of weeks.  I have seen gorgeous huppahs made from the talis (prayer shawl) of a loved one who has passed away, ones decorated with flowers, photographs, branches, swaths of fabric, lace, and chandeliers.  I have also seen modern reinterpretations of the huppah with potted trees, but no covering, or with staging the ceremony under the canopy of Japanese maple trees or a large oak.

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Whatever your religious creed, and particularly if you plan to wed outdoors or in a venue that’s not traditionally used for weddings, creating a focal point for the ceremony can be helpful and add visual interest to your wedding.

Another tradition that I love, and see mostly at Chinese or Asian-American weddings is greeting the guests at the dinner tables by the bride, groom, and their families.  Everyone carries a glass of champagne.  Guests at each table often offer a toast.

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This affords the bride and groom and their families a chance to happily interact with their guests, if briefly— something that may not otherwise happen.  And unlike with a receiving line (or formal table shots, for that matter), the photographs are really fun—everyone smiling and laughing with the festive detail of clinking champagne glasses.  Even if you do not want to go around to tables, do make time for your guests.  Both your wedding album and memories will be much richer for it.

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Another favorite tradition that I’m starting to see cross-over cultural boundaries is the changing of the bride’s dress.  At Chinese and Chinese-American weddings, the bride will sometimes change her dress as many as four times at the reception, signifying the changing of the seasons. (A simpler incarnation of this tradition is that the bride will wear a white dress for the ceremony and a traditional red one for the reception).  Now that I think about it, there is a lot of costume changing in a lot of (usually Asian) wedding traditions. In the photograph below, Joy and Darrell were on outfit number two out of three.  Traditional Vietnamese, Filipino, and American costumes all made an appearance throughout the night!

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With western-style weddings, I’ve seen the bride change from her full-length wedding gown into a shorter, white cocktail gown for the reception.  Not only is it wonderful to satisfy our collective love of a little-white-dress (and what better than two of them?), but it helps change the tone of the party.  A ceremony can be formal and grand, but the reception could still take on a more flirty and playful tone.  At the very least, it’s fun to imagine the possibilities.  And as long as we’re imagining, it’s fun to imagine it on an unlimited budget!

Part II, Traditions I See Quite Often and Will Always Love:

1. The giving away of the bride.  I think the historical tradition behind this is kind of archaic, but I love it anyway.  The need to wed in the presence/support of family and friends is still a powerful cultural instinct (and the giving away of the bride does illustrate her family’s blessing of the marriage).  I love sometimes seeing both parents—and not just the father—give the bride away, too.  Photographically, that moment just before they walk down the aisle can be perfectly magical, emotional, and honest.  Logistically, it’s not always possible to be there.   But sometimes, I choose to be there, even if it means I photograph the bride and her father walking down the aisle from behind.  Those images can show the environment and sentiment of the moment so well.

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As an aside, I think I promote any interaction between the parents and the bride and groom.  I wish I had involved my parents more at my own wedding.  The father usually has his two (fleeting) moments of glory—walking the bride down the aisle, and dancing a first dance with her.  But what about the mother? And are two minutes with your father enough?  My suggestion is to look for meaningful moments.  Seek them out.  And make them happen.

2. The first kiss.  Seriously, truly, and always.  My heart melts when the couple hugs just after they kiss.

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3. The recessional!  It’s always so happy!

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4. Cutting the cake¹, by which I mean watching the couple figure out how to cut the cake, followed by that superbly sweet first bite, followed by the even sweeter kiss.  That’s really my favorite part.

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5. The first dance.  Why have people stopped doing this as a matter of course?

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6.  Also, I ♥ big group dances.  The hora, Persian dancing, Greek dancing, line dancing, whatever!

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Actually, if I could draw one conclusion now that I look at all these traditions I love is that all of them center around the bride and groom interacting with each other and their friends and family in wonderful, meaningful ways.

One of my clients’ priests told them to participate in (only) the traditions that mean something to them.  I agree.  Good advice. Really good advice. To that I would like to add … planning a moment doesn’t cheapen its meaning at all.  I think there’s a misguided hope that meaningful moments will just naturally happen on their own.  But your wedding day passes by at lightning speed—so why risk it?

There’s a feeling, or at least, I have a feeling that these are moments that we all (as humans) are supposed to have and to share and to enjoy, and that even the most unconventional among us looks forward to from childhood, and that as adults, we look forward to sharing with our children, nieces, and nephews.

photo credit: Gia Canali

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¹ Just to clarify, it doesn’t have to be cake.  Just something sweet.  That’s the point, anyway. So cupcakes, honey, a favorite family dessert, whatever satisfies your sweet tooth.

Collaborating With Your Photographer 101: Plan a Wedding Day Itinerary That (Really) Works For You, ii. Some Sample Itineraries

Here are some sample itineraries and guidelines. There are, of course, many variations on each.  This is just meant to be a starting point for considering the kind of flow you’d like your day to have. One thing to keep in mind—if at all possible, plan to take the most important photographs during the best light of the day (theoretically the portraits of you and your beloved and likely just before sunset for an evening wedding).

Option 1. Not seeing each other before the ceremony.
  • Getting ready. I like to photograph the last hour or hour and a half of this process, including the putting on of the dress. Photographs are generally much better after the makeup goes on … and there’s not too much to photograph when you are in a chair. I also recommend scheduling the bride to go first for hair and makeup.
  • Ceremony.
  • Family and Wedding Party Photographs.
  • Intimate Portraits (you’ll be skipping your cocktail hour to do this).
  • Reception.  If you are trying save money on photography, plan to do the “events” of the reception at the beginning, including toasts, first dances, and cake cutting.  The reception also usually lasts for hours, so after dinner is served, you can catch up on time if you’re running behind.

Pros – Things flow very quickly, and if well-planned can feel very spontaneous. This is also a good schedule for morning or noontime weddings with lunch receptions.
Cons – You spend a good part of your wedding day (maybe until 6pm) away from your husband.  Things may go by too quickly, or you’ll feel rushed.

Option 2. Seeing each other (but nobody else) before the ceremony.
  • Getting ready.
  • First Sight. (A quick meeting for the first time.  It’s nice to have the first time you see each other not be a production … it’s fun, memorable, and usually a good photo op.)
  • Intimate portraits.
  • Ceremony.
  • Family and Wedding Party Photographs
  • You go to the last part of your cocktail hour.
  • Reception

Pros – You might enjoy a little more peaceful time with your spouse. And you might be more present for your reception.
Cons – You may not be getting your portraits in the best light of the day.

Option 3. Seeing each other and just doing group photos before the ceremony.
  • Getting ready.
  • First Sight. (A quick meeting for the first time.  It’s nice to have the first time you see each other not be a production … it’s fun, memorable, and usually a good photo op. We’ll talk more about this soon in a future post.)
  • Family and Wedding Party Photographs
  • Ceremony.
  • Intimate portraits.
  • You go to the last part of your cocktail hour.
  • Reception

Pros – You might get to enjoy a little more time with your guests or more portraits, depending on your preference, and those un-rushed portraits might be during the best light.
Cons – It’s possible that things could feel a little slower and more staged if you do group photographs beforehand.

Option 4. Seeing each other beforehand and doing all the “organized” photographs before the ceremony.
  • Getting ready.
  • First sight.
  • Intimate portraits and wedding party and family photographs.
  • Ceremony.
  • Cocktail hour.
  • Reception.

Pros – You don’t miss any of the party, so you have lots of time with your guests.
Cons – You might miss the best light of the day.  And it’s possible things could feel a little slower and more staged.

Itinerary tips:
  1. If you have a big family and are doing group photos before the ceremony, consider making “call-times” for your family for the photographs.  It helps keep things moving without the total chaos of having 40 or more people standing around while you get your photographs taken.
  2. Be open to slipping away from your reception as the light changes for more portraits. We love to take a few nighttime portraits when the schedule permits.
  3. Be flexible.  Weddings are full of unpredictable moments.  Just try to enjoy whatever is actually happening with whoever is around you. Happiness always photographs well.