R & A did a wonderful job conceiving their wedding. It involved lots of peculiarly-LA logistical challenges—a ceremony at the church the groom’s family attends in Downey, a reception on a chilly early-spring evening at a private home in Agoura Hills, getting guests to drive the hour-and-ten-minutes between locations—to name a few. But it came together beautifully under the direction of Heidi Mayne from Red25 (whose new site will launch very soon, so be sure to check back).

This wedding initiated me to {Krislyn} whose delicious designs have me swooning … Krislyn made the bride’s balsa wood and Swarovski bouquet (below and previously featured), the wishing tree, and the A + R vase (also below) that sat beside the tree at the reception. Lucky for me, Krislyn did florals at another wedding I photographed recently so I get to indulge (and share!) my newfound obsession.

{as always, click any image to enlarge}

I have to confess, though, my aesthetic obsessions at Rosalinda and Aris’s wedding were varied. Many are indicative of current and coming trends:

1. Krislyn (cannot be overemphasized). The design is extraordinary. And I am pro-keepsake. Aren’t we all? It’s not only “green” to double duty pieces from your wedding as home decor, it’s wonderful to have more to hang onto.
2. The groom’s modern slim fit three piece suit from YSL. May all my grooms be so well-dressed. I love that a vest gives the groom not only a perfectly tailored look, but an “alternate” look. He won’t wear the jacket all night anyway.
3. The bride’s all-over lace gown by Elizabeth Fillmore. It perfectly accented the bride’s lovely figure. The asymmetrical train was pretty fabulous, too.
4. Bare wooden dining tables, dressed with manzanita or beechwood branches and orchids.
5. Greek revival fashion, e.g., the bridesmaid dress.
6. How the bridesmaid’s bouquet accented the color of her dress. This rarely happens so nicely, and was, apparently, an accident. Katie’s Flowers in Downey had set out to make a “neutral” bouquet because they didn’t know what color the bridesmaid would be wearing.
7. All the nooks and crannies—and the Moroccan flavor—of their friend’s house, where the reception was held. I am always happy for architectural/environmental portrait opportunities. This house offered myriad.
8. Little wooden wedding sign.
9. Stone seating “cards” and table numbers.

A sweet little ceremony getaway in the groom’s brother-in-law’s Rolls Royce.

Some of the sweet reception details … I loved the variety (as I always love variety) in the centerpieces.  Manzanita or beechwood branches strewn with orchids, or wooden boxes full of them decorated each table.  Presenting old family photographs as they did, in a frame, with strings and clothespins, was quite charming.

The light changed quickly as day turned to night, so we snuck portraits here and there, as we could, amongst dancing and toasting.

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A little nighttime love … As I mentioned earlier, R & A spent most of the night close together. If you want wonderful photographs of you and your beloved late into the night, do this!

This couple did an amazing job of designing a gorgeous wedding without it feeling like they were over-producing it. (I think that’s a weird diagnosis of some weddings, but probably true, now that I think about it.) They prioritized having a great party … and it paid off. They danced with each other and their guests into the wee hours of the night. For my own part, I was very happy that they made time, even as the sun set, for me to get out the clunky old 4×5 camera (see top image). I’m looking forward to seeing how these images become themselves, later on …

photo credit: Gia Canali floral centerpieces: Malibu Market & Design lighting: Images By Lighting