Tag Archive for 'photo tips'

Bride Interview: Makeup Tips from Mitra

bride at the vanity

Although I don’t wear makeup or even know how to really put it on, I do notice wedding makeup.  Or, perhaps I should say that I bemoan bad wedding makeup.  I don’t think I notice good makeup at all.  My friend and former bride, Mitra, was a certified MAC makeup artist a few years ago and did a number of weddings during that time, both through MAC and on her own.  She agreed to share some tips, and I must say, as a photographer (who knows what’s flattering) and a make-up-phobe (who groans at the thought of doing it), I think these tips are really helpful.  I’m putting in my own two-cents in italics.

  1. Hire a make-up artist, or at the very least, have a make-up artist show you how to do your make-up, take her product suggestions, and practice several times before the wedding. Hiring a make-up artist is easier. Brides have enough to worry about on the wedding day!
  2. A trial run of wedding-day make-up is absolutely necessary. Take a picture of your make-up in several lighting scenarios (natural light, dark w/flash, etc.). And wear the make-up 8-10 hours. See how well it holds. All make-up will need touch-ups (powder, lips, etc.), but the bulk of wedding day make-up should wear that long.  (Gia here: Makeup that looks good and makeup that looks good on-camera aren’t necessarily the same thing. Your little test shots will tell you a lot!!)
  3. Everyone looks better with false eye lashes. There are so many ways to do them that look natural and gorgeous, and I think they should be attempted at the trial run before a bride rules them out.
  4. If fake lashes are out of the question, Diorshow Blackout (waterproof) and Make Up For Ever Smoky Lash (waterproof) are both available at Sephora, and dramatically enhance eyes to get the benefit of fake lashes.
  5. When cultivating ideas for the wedding day look, chose a celebrity or two who you resemble in face-shape and coloring, and google red carpets looks for those celebs to get ideas. Bring these pics to your trial run with the make-up artist.
  6. If the make-up artist isn’t staying for the whole event, make sure that you have the lipstick/liner/gloss she used, and powder and a little foundation for touch-ups. Make a bridesmaid responsible for keeping track of these items for you, and put her in charge of checking on your make-up every so often.
  7. Skin is really important to wedding day beauty. A make-up artist can even out skin tone, but there’s not much they can do for texture. Start thinking about this months in advance, and adjust your skin care regimen accordingly. If you’re paranoid about a huge zit cropping up days before the wedding, make an appointment with a derm the day before the wedding, if possible. Should a monstrous zit arrive, they can give you a cortisone injection that will get rid of it by the next day.  (Gia here: we’ll have more on good skin for your wedding soon-ish).

Thanks, Mitra! Any makeup tips from anyone else?  Former brides, feel free to chime in!

photo: Gia Canali

WYSIWYG: What You See Is What You Get (or Getting What You Expect) – Some Thoughts On Selecting a Wedding Photographer.

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WYSIWYG (what-you-see-is-what-you-get) is something we photographers talk about all the time when we’re printing our photographs.  We want our prints to precisely match what we see on our computer screens.  Obviously.  We want to get what we expect.  And with wedding photography, so do you.

So how does that work exactly, when you hire a photographer—or, now that I think about it, when you hire any vendor or artist?  Well … we do what we do: what you see is what you get.  So when you’re thinking about hiring someone, see enough of her work that you have a really good feel for what she does—a representative sample.  This could include images on a website or blog, some albums, and perhaps a client gallery or run of proofs.  By that point, you should feel like you “get” the scope and style of her work.  If you like what you see in that photographer’s portfolio, chances are that you’ll like what she can do for you.  But if you don’t, or if you yearn for something altogether different, no amount of direction, coaching, or unrealistic expectation is going to change how that photographer works or sees.  You aren’t going to get something different.

Two stories to highlight this point:

Once I was at a meeting with a potential client.  She kept pulling photographs out of my portfolio, dropping them on the coffee table, and pounding her forefinger on the photos,¹ asking over and over again, “Can you do this? Can you take photos like this?”  I was boggled.  What a query!  I had, of course, taken all the photographs in question, and there were dozens of them.  She had a whole, ever-growing pile of photographs she wondered if I could take.  What she was really asking, of course, was whether I not I could take photos like that for her. But still.  It’s ridiculous.

In another meeting, a potential client asked me, no less than twice, if I could take photographs like the ones taken by another well-known local photography studio.  Um … why not just hire them? (I hope they did!  Otherwise, they were surely and sorely disappointed.)

Neither one of these potential clients understood the principle of WYSIWYG. And I’m sure it’ll be no surprise to know that neither one of them hired me.  Nor will it be much of a revelation to know that I’m relieved they didn’t.

So … hire a photographer whose work makes your heart go pitter-pat.  Someone whose eye you trust.  And then let her do her thing.  (Why in the world would you want to interfere with what you trust is going to be marvelous?)

photo: Gia Canali

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¹ Yes, yes, she was smudging them to death.

Getting Great Wedding Photos, Tip #12: Dance With Your Friends, Too!

bride-dancing

We all know it’s important to dance with your beloved.  But don’t forget your friends!  Not only does it make for good photos, it makes for good memories.

photo: Gia Canali

Getting Great Wedding Photos, Tip #11: Make Sure Your Hairstyle Looks Good From Any Angle

It turns out that looking great on camera is more sculptural than you’d think; or rather, if you want to look good on camera, think about it like making a good sculpture.  Sculptures look good from any angle.  And on your wedding day, the camera—and all your guests—will see you from lots of angles, not just the front or back.  It’s particularly important that your face not be obscured during the ceremony (unless you’re wearing a veil over your face, of course).  And I’m not saying you need to wear your hair up—I love when brides wear their hair down—just be mindful of multiple viewpoints when you do your hair test.

Below: one of my favorite hairdos ever …

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photos: Gia Canali

hair: Angelique Stanford, 323-702-5767

Getting Great Wedding Photos, Tip #10: Laugh Easily

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Laugh easily and laugh much!  It’ll give you a break from “posing” too stiffly.

photo: Gia Canali

Things I Surprise Myself By Liking: Plastic Hangers. Seriously!

I have all these rules and tips and tidbits in my head (hence the blog, I guess), but it’s quite a thrill when breaking those rules (like, no plastic hangers!) results in something I love …

fancy dress on plastic hanger

Notes Toward A Slow Wedding

dinner 4x5

There’s so much pressure these days to fit it all in—even in the face of the so called non-traditional wedding—folks are going for every possible potentially meaningful moment and kitschy tradition (and diy detail!) they can think of.  It is like having an all-you-can-eat-buffet mentality to planning your wedding.  I say: let’s take it easy.  Do a few things well.  Make your wedding one where you can enjoy good food and the company of good friends and family. After all, that’s why you’re having a wedding with people attending.

Congratulations, Tom & Kimberly!

Collaborating With Your Photographer, 106: Getting Great Group Photos (Without Losing Your Mind!)

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Nobody wants to spend their entire wedding day, standing around, lining up for photos.  This is why group photos, generally, have a bad rap.  But they are an important part of family history, and of your history.  And done right, they will take up little of your lovely wedding day.  There are two parts to non-insanity-inducing group photos—planning them properly with your photographer, and helping your photographer execute them properly.

♥ Planning Ahead ♥

I. Make a List. Be Reasonable.

Stick to essential group combinations!

Include everybody’s names so the photographer’s assistant (rather than you!) can call people into each shot.  Your photographer probably has a starter list.  Mine is very simple: bride + groom with immediate family, parents, and grandparents on each side.  Siblings, if applicable.  Extended family, if desired and feasible.

*Keep in mind that, for the most part, nobody really cares who else is in the photo besides you and your beloved.  So zillions of permutations of each group really aren’t necessary.

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Why the Big Fat Group Photos Take Longer:

Brides and grooms (or their parents!) sometimes suggest gigantic group photographs thinking they won’t take any longer than photographs of three or four people.  The truth is that while the actual shooting of those group photographs doesn’t take any more time, the wrangling of big groups of people takes much, much longer.  Even once we’ve rounded up all the right people (and found whichever straying uncle or brother is at the bar or in the bathroom), we need to arrange them, making sure we can see each person’s face.  It just takes longer. Much longer.

Why You Should Notify Your Photographer of Any Sensitive Family Situations (deaths, divorces, etc.):

We want to address your friends and family properly during the photographs.  And we want to arrange them properly.  At one of the first weddings I ever photographed, I was trying to arrange a photograph with the parents of the groom next to each other and they wouldn’t move in to the photograph.  When I made a little joking comment, I was told that they were divorced.  And it became very apparent to me at that point that the divorce was unfriendly.  I was mortified.  And I’m sure they were, too.  Luckily, it’s easy to avoid that sort of awkwardness with some very simple communication ahead of time.

As of Your Wedding Day, You and Your Spouse Are Each Other’s Family.

It borders on absurd to make this point but I’m doing so because I often get requests for photos without one of the spouses—bride with bride’s immediate family (without groom).  And vice versa. Nobody orders that photo.  Nobody wants it afterwards.  And were someone in your family to order the photo and hang it on the mantel, sans the spouse, wouldn’t you feel weird about it?

Bride + mom or bride + dad or groom + either one of his parents are totally fine.  It’s just the groups that are awfully strange.

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Don’t Forget Your Siblings!

My favorite photograph at my twin sister, Meghan’s wedding, aside from the one where she’s flipping me/the camera off, is the one of her and her husband and Matt (then my boyfriend) and me.  It’s the first photograph of the four of us.  Matt and I are looking a little rough (I was wearing pants(!), which I never wear to weddings anymore, and I had altitude sickness).  But we are happy and we are together.  Which is kind of the whole point, as I see it.

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II.  If You Want Something Funky or Fun, You’ll Need More Time.

Most brides and grooms want to speed through the group photographs—line-em-up-and-move-em-out style.  Others want something more stylized—the bridal party in an unusual location, the family organized on multiple levels, some seated some standing, near a unique couch, for instance.  These photographs can be so visually interesting, but they do take longer to set up (which is a deterrent for many folks).  If you’re hoping for something other than the lineup, so to speak, tell your photographer, so both of you can plan for it.

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III. Make Call Times.  Lie if Necessary.

I can’t believe I almost forgot this all-important tip!  You don’t need people waiting longer than necessary, but you do want them to be there when you need them for photographs.  You can almost always get away with separate call times for the bridal party and the family.  If your family and friends tend to be late, buffer the call time.  If they miss it, you may not get a chance for photographs with them later on.

♥ On Your Wedding Day ♥

IV. Let Your Photographer Choose a Spot With Open Shade.  Period.

This is really a non-negotiable for me.  Maybe you will luck out and it’ll be overcast or (better yet) foggy.  But if not, no view or nifty background is ever worth a bad exposure.  Technically speaking—and, friends, your grandmothers will agree—the priority is to see everybody’s faces and especially their eyes.  A big, bright sunny spot will give everybody what we photographers call raccoon eyes.  Dappled shade is just as bad.  And most views won’t even show anyway, unless it’s the same amount and kind of light on the faces of the people and on the background.

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V. Be Sure You’re Looking On Camera During Formal Group Photos.

There’s a lot going on. I know.  And I’ve mentioned it before, but it’s worth reiterating.  Look on camera during the formal group photos. (You don’t have to look on camera during informal group photos, though).

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I Heart Chaotic Group Photos. Don’t We All?

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I think … I’ve said this before, too.  I’m sure it’s a throwback to the 8000 times my mom and grandmother had my siblings and cousins and me pose for them, on the brink of chaos (picture Meg and me posing primly, with our younger brother and sister in our laps, both crying their little heads off).  In fact, now that I think of it, my love of the chaotic group photo probably goes back as far as my Aunt Paula and Uncle Tom’s wedding.  Meghan and I were four, and we were the flower girls, and God bless the poor photographer.  Meghan kept running straight at him every time he tried taking a photo of the wedding party.  In the official photo, it looks just how I remember it: like she’s bull-running him!

I think we all expect those nice give-to-grandma group photos, but hope for something a little more spontaneous, humorous, and vibrant for ourselves.  So set yourself up for the right conditions: only the closest friends and family, beautiful light, and enough time.  Glasses of champagne, all around, don’t hurt either.

photographs: Gia Canali