Over the weekend, I found one more pack Polaroid 600 film in my film fridge.  I thought I’d used it up ages ago.  Now I have to figure out what to do with my (real) last pack!  Photos with my nephews at Disneyland is what I used the pack I thought was my last pack for.  It’s exciting, to be sure, to have one more go at it.

But I’m also extremely grateful to the folks at The Impossible Project for carrying on the instant print film torch.  One of their bewitching instant prints above.  I swear this film is like the dachshund of films, behaving only when it wants to, but charming you the whole while.  Now if they could just cook up some Polaroid 55 or 8×10 instant print film …

photo: Gia Canali

Share/Save

With more to come!!

photo: Gia Canali

Share/Save

Wishing you a magical 2012, full of grace! And lots of twirling!

*Thank you, Carrie, for making the long journey out here to let me make photographs of you : )

photo: Gia Canali

Share/Save

The great thing about bridal portrait sessions, as opposed to weddings, is that you have the real luxury of having time to make portraits, slowly.  I mean: I love the challenge and the rush of making portraits happen in the swirl of the events and obligations of a wedding day (what wedding photographer doesn’t?!).  And Jess’s session was slower than most because we intentionally sought to make images on our slowest, most deliberate cameras.

Bridal sessions are about the bride and certainly also about her exquisite refinery.  Jess’s dress was designed and lovingly crafted by Suzanne Hanley of Atelier des Modistes.  Sue is a genius designer and I feel lucky to count her among my friends.   I particularly love the lace chevrons (though, seriously, I can’t fathom how much time it took her and her team to make those) and the bustle, which reminds me so much of the wild, wild west.  Jess’s bridal session is also featured {here} on 100 Layer Cake today, with an interview from Jess about the custom dressmaking process.

Neither one of us could have known that Jess’s wedding day would bring rain (or rainbows) and mud or that the slow moments in the day could be counted on the fingers of two hands, so I am extra grateful we made time early in the summer before her wedding to make these portraits.

♥

♥

Jess found other value in making these images.  This is what she wrote:

“I thought it was really helpful to do the portrait session before, because it was an excellent introduction to you and Matt, and how you like to work. It was also great for me to hear some tips from you on posture, how to stand, how to act, etc., before the “main event,” so to speak. It was certainly a little more challenging to take photos alone, as opposed to how much more natural and easy it felt when I was with TJ.  But I think for people who haven’t been photographed much before [their weddings], it’s a great introduction. Plus seeing these initial proofs, I could then say to myself—well, I like it when I smile like this or that, and I love how my hair and makeup looks in these photos, and so on—so it was a great dry run overall.”

photographs: Gia Canali

gown: Sue Hanley, Atelier des Modistes, whose little shop in San Francisco I featured awhile back; hair and makeup: Sharon Tabb.

Share/Save

I wish I knew the artist who made this enchanting little sign, spotted {here}.

polaroid: Gia Canali

Share/Save

Two Valentine’s Day wishes are twice as nice.

photo: Gia Canali

Share/Save

Well, you don’t have to be adventurous.  But you will be rewarded richly for your efforts.  It might look like this couple naturally appeared on the boughs of an enchanted tree, but in reality, getting this photo was decidedly rigorous.  The bride climbed down a steep creek bank in four inch platform heels (her idea, not mine—but I’m thrilled she did). The recipe is below – and I’ll share more of their enchanted forest photos soon!

+ +

Share/Save

I know I’ll only shoot a few packs of this film.  It’s all I have.  But I love it.  And it’s even prettier with wax on top.

Polaroid: Gia Canali

Share/Save