Okay: I’m being (more than) a bit flowery, but I think it’s a valid point. Light is our medium.
Congratulations, Amy & Osamu!
photo: Gia Canali
Tag Archive for 'toy camera'
I love the sweetness of Brandon & Serra’s wedding. Everything, everything was fashioned to be personal, to be romantic, to be sweet and meaningful. And the results were just about perfect. Plus, this was one of the thriftiest and most resourceful wedding planning crews I’ve encountered. Brandon and his twin brother, Brian, are the photographers behind Twin Lens Life. And Serra is a maven of vintage fashion, and all-things-vintage, come to think of it. Everything from fashion to decor was handmade or scored from vintage stores and thrift shops around Los Angeles.
Below: a few photographs of Serra & Brandon getting ready. I took just a moment right before the ceremony to get a couple photographs on my 4×5 camera.
{click any image for a closer look}
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Below: some of the ceremony details. Click any image to enlarge. Brandon & Brian made the wooden signs (that fancy W and the plumage!). I love the lace draped tree. And the just-gathered feelings of the bouquets and arrangements. Florals by Amanda Claverie, Rosebud Floral Design.
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Above: one of the zillion polaroids from Brandon & Serra’s wedding. Below: This ceremony was just about perfect (and complete with a rooster strolling through, if you look closely!).
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After the ceremony, while we took group photos and photos of Brandon & Serra, the guests entertained themselves with games and tea. This is handy tip to steal: have something fun for your guests to do while you do your formal photographs. This is especially important if you plan not to see each other (and therefore not do any of the group photos before your ceremony).
It was hard to get Brandon’s twin brother, Brian, to hold still for a photo during cocktail hour. Since the boys are also wedding photographers, Brian made the rounds during cocktail hour getting a Polaroid—er, Fuji instant print—of each and every guest for the escort cards / guest book. They blogged {here} and {here} over on their blog, Twin Lens Life, about this project, which I think would be fantastic at any small wedding. Not exactly diy if you’re not a pro, but definitely handmade and one of a kind. I’m looking forward to seeing—and doing!—more of these unique one of a kind projects at weddings, which seem to be gaining in popularity.
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Everything about this wedding was so romantically-styled, down to the tiniest detail. There were piles of old books, and gatherings of baby’s breath, an old typewriter, candles, vases of a few blooms, tiny ceramic birds. The table was like a tableau. But my favorite little details, besides the “tree” with the Polaroids that Serra and Brandon had taken together over the course of their relationship (pictured below), were their love birds, Frankie and Allie.
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A few more quiet moments before the end of the day:
We had so much fun rotating through our (and Brandon & Brian’s!) collection of vintage film cameras, toy cameras, instant film cameras, et cetera. I loved getting to share in the absolute joy of shooting along side other lovers-of-photography (their crafty guests were snapping as many photos as I was, it seemed!). Congratulations, Brandon & Serra! Thanks for sharing! May your years ahead be happy and filled with lots of Polaroids! This wedding is also being featured {here} over on Snippet & Ink today!
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photographs: Gia Canali, venue: Heritage Square Museum, LA; florals: Amanda Claverie, Rosebud Floral Design; super 8mm wedding film: Tim Neilsen, Flicker Films, shown {here}; hair, Louis Santelices; pretty much everything else: handmade, thrift store or vintage shop finds.
Negar and Peter’s wedding was fantastically formal, glamorous, and richly textured in a way that very few weddings here in California ever are. If I could think of one phrase to describe this wedding, it would definitely be, dressed to the nines. Of course, that phrase makes a lot of sense when a fashion stylist weds a writer.
{click any image to enlarge}
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Above: Tiny Pine Press designed and handmade these formal letterpress wedding invitations for Negar & Peter. I love how they look like they might have come out of grandma’s wedding album … or an F Scott Fitzgerald novel. They make me hope for a return to classical wedding design.
Negar & Peter had a traditional Persian ceremony, fireside, with a beautifully decorated sofreh. In Persian ceremonies, I love when all the girls (sisters, friends, mothers, aunts, etc.) get up and sprinkle the couple with sugar flakes. What wedding couldn’t use a little sweetness like that?
Negar called on her gifted pals, Joseph Free and David Rogers, who are usually busy designing events for Vogue and fashion designers, to design the florals and decor for her wedding. Inspired by their handiwork, and not surprisingly, this is the wedding that made me rethink baby’s breath. Heaps of lacy-soft baby’s breath and the warm glow of candlelight, it turns out, are pure magic. Here are a few of the intricate and particularly stellar details:
Even the wedding’s tiniest guests were dressed up and ready to party:
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We were honored to have this wedding featured in C Magazine’s C Weddings this April and are doubly thrilled that it’s being shown off on Style Me Pretty {here} today as well.
photographs: Gia Canali; venue, The California Club; invitations: Jennifer Parsons, Tiny Pine Press; floral design: Joseph Free; event decor: David Rogers; gown: Monique Lhuillier; bride’s jewels, vintage Neil Lane; shoes, Valentino
What I have come to love most* about taking photographs on my various cell phones is its (my) almost unconscious reaction to a moment or a scene. Point and shoot (nearly without thinking)! These are not relatively technologically advanced—or even competent—camera-machines. Serendipity prevails. Instinct prevails. My ability to make great photographs on my phone is proportionate to my ability to make great photographs period. And so, come to think of it, is yours. (These levelings-of-the-playing-field are good for the art; only when anyone can do it—not just those of us who can afford cameras—will photography become about those who can see … and about how they see the world).
One’s readiness to take a photo (on a cell phone or at a wedding) is essential. And like the world at large, a wedding is a now-you-see-it-now-you-don’t kind of place. Wedding photographers are hired for their readiness, an eagerness to see the picture and take it before the moment has flown away. Cell phones make recording that everyday magic accessible to all of us. Obviously we choose to use sophisticated cameras—for the most part anyway**—to record people’s officially magical moments. But that instinctive reaction to life, to the world—just as in taking photographs on your cell phone—is what sets a good photographer apart, whether or not the person is a “pro,” and whether or not they photograph weddings from time to time.
The other thing I love about taking photos on the phone is that they are inherently and undeniably personal. ***Look at your phone—look at mine—it is filled with the daily joys: my doggy, my husband, my garden, the nieces and nephews, and the lovely bits of the world I take in as I go about my life and work. Sometimes, however, I get the impression from folks that wedding photos are supposed to be somehow not-personal (like: not as though they could be from my cell phone). But how is that even possible, much less desirable?
Of course the wedding photos I take are particular and personal to me, almost like they came straight from my phone, if decidedly a little fancier. It is my perfectly subjective point of view, my various passions and excitements that are represented in the photographs I take wherever I take them, on the job or in my back yard. And that’s what you want! You hire us wedding photographers for our empathy, for our sensitivity to your beauty, happiness, and love! (Otherwise, we’d all save the money and have surveillance cameras or robots take our wedding photos, right?)
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* Of course, before you can love it, you have to make peace with the vast and charming/maddening limitations of the camera phones.
** Those of you who know me well know that I have a devoted love of sh—— toy cameras. I can’t help myself. Memories sort of flicker. A lot like toy cam pictures.
*** Strong inspiration for this post came a few months ago, when I saw photojournalist David Guttenfelder’s iPhone photographs from the war in Afghanistan. News photos seem so much less personal than cell phone photos from the news photographer. I’m not sure why that is, but I was taken aback to realize it …
photos: Gia Canali
This is just to say that I’m still here. I’d offer a sneak peek except that I haven’t decided which real wedding is coming up next (like: should I work backwards from the end of last season or just jump headlong into this one?). Helpful articles (the real reason I started this blog) are another story altogether. We have those in spades if I can just get around to posting them. If I can just get a moment to sit down at my desk. In the ever-lengthening meantime, however, let’s enjoy a little vicarious enthusiasm. Because weddings are exhilarating.
photo: Gia Canali
Welcome to Eunice & Daniel’s wedding! Eunice and her sister Sabrina own Hello!Lucky, while Daniel designs video games at Three Rings, and frankly, I can’t think of a craftier, more inventive—or more exuberant!—crew to plan a wedding. Eunice designed pretty much everything and she and her friends, led by sister and maid-of-honor, Sabrina, worked tirelessly to make sure those designs became a reality. Much of the inspiration for the wedding’s design is from Tim Walker’s photographs. Walker’s work has always fascinated me, as it demonstrates, in intricate detail, how Britain was, is, and always will be a magical place, if improbably so. See his work, if you aren’t already familiar with it. You’ll know what I mean. The little stage Eunice and Daniel were married on and the whimsical parade to the ceremony site, led by Daniel with his white unicorn, are lifted straight from Walker’s (or … Eunice-and-Daniel’s) imagination.
{click any image to enlarge the gallery}
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Below: a few images from the ceremony. I love the flower girls dumping the confetti on each other!! The stage was lovingly made by the crew at Because We Can and painted by Eunice and friends. (The stage now has a home behind Eunice & Daniel’s bed, which is the perfect sort of re-purposing of wedding decor, I think). Eunice designed her dress and her friend and colleague, Hello!Lucky’s London office head, Iain Harris Bartlett, sewed it for her.
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The day passed by at lightning speed, as it really always does at weddings. I was so happy to have a few moments with Eunice and Daniel along the winding dirt road and in the wide, grassy fields at {Wilbur Hot Springs}.
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The details of this wedding were myriad, intricate, and marvelous. Nearly everything was made by hand, and much of it by Eunice, Daniel, and their friends. There was so much to look at (and photograph and share!) that I needed a dedicated post to do those details any sort of justice at all. Here are just a few, though. Sharla Flock designed the florals, which were rich and varied and added so much color and texture to the wedding. The cake topper is hilariously cute (worth clicking to enlarge!).
The guests were dressed to match the wedding perfectly, even the littlest ones. It gave me the feeling that we were all in a movie we couldn’t see being filmed.
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As night fell, the party began in earnest. There was square-dancing and Eunice’s sister, Sabrina, sang a song. Their father accompanied the band on his mandolin for another song. And, yes, Eunice and Daniel really did cut the cake with a cleaver. I think Daniel might have a collection …
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For fewer, larger photographs, please see {this gallery} on my main site. And satisfy your floral-detail-loving-cravings {here}. Hello!Lucky posted a great feature on their, site, too, complete with a gallery and diy wedding project instructionals, and it’s {here}.
photographs by Gia Canali; wedding design, Hello!Lucky; paper goods, Hello!Lucky and Joel Dewberry; wedding planning, Lisa Feldman Designs; Daniel’s dapper suit, Al’s Attire; bridesmaid’s dresses, Al’s Attire and Jessica Bobillot; Eunice’s fascinator, Jennifer Behr; cake topper, Publique Living; stage, wooden table “numbers,” and parade props, Because We Can and Hello!Lucky; lighting design, Jimmy Duhig, Creative Lighting Design; Eunice designed her dress and it was handsewn by her friend Iain Harris Bartlett. Go handmade!!
Eunice and Daniel’s May 2009 wedding was pre-slated for publication in Martha Stewart Weddings, so everything had to be top-secret until the magazine hit newsstands. And now it has. Of course, considering how I get around to blogging real weddings, it probably doesn’t seem like much of a wait at all! (Translation: even though I had almost a year to prepare images, I am still mulling them over in my usual poky fashion). So while I prepare blog posts and a gallery for the main site, I thought I would share just this one image.
photo: Gia Canali
I think … we should rethink our eschewal of baby’s breath. In lavish quantities, all-by-itself, it’s so pretty and so soft. Like lace.
photos: Gia Canali
